Caveat: … restart your dog.

I dreamed an eerie, very coherent dream.  Real plot.  Real characterization.  A story.

In the dream, I was driving in my pickup truck along an unpaved (or very poorly paved) stretch of highway.  A very desolate place.  There were two of me.  Not like two sides of myself;  not like a doppelganger or something;  just two of me.  Side by side, one driving, the other staring out the window.  Traveling companions.

It was near sunset, and bitterly cold.  The landscape was not mountainous, but not flat.  The vegetation was Patagonian.   Really, the stretch of road was like that long, mostly straight rise from Osorno to the Argentine border in Chilean Patagonia.  Like… driving up to Bariloche, on the Argentine side, with the volcano Igi Llaima (err, I think it's Igi Llaima) hovering like some undiscovered, exotic Fuji above the distant lake, below and behind.

It was starting to snow.  And although the landscape seemed like Chile, the roadsigns were in Korean.  Of course.

It was getting dark, and I was worried about something.  One of me was worried.  The other just shrugged, and muttered, do what you want.  So we stopped.  We pulled up a steep stretch of side-road, up against a fence under some gnarled, twisty, Japanese-painting pine trees.  Darkness fell.  We climbed into the back of my pickup, to sleep.

We awoke to the sounds of traffic.  I looked out and it was morning.  There was at least a foot of freshly fallen snow, but it was heavy, wet snow, like heaven throwing snowballs at Earth.  Still falling.  On the road below, there was a traffic jam.  All the cars had Korean plates, but I saw a group of Chilean carabineros monitoring the situation from the comfort of their idling car, a ways up the road.

Several vehicles had pulled off the highway behind us, up the steep drive to stop near us under the trees.  One truck, driven by a smoking team of Korean blue-collar types, was trying to negotiate around a pile of snow that appeared to have a car buried inside it.  And suddenly, the truck began to skid sideways down the steep drive.  It plunged into the traffic below, with almost no sound — in the weird, puttering silence that comes in blizzards.  Squoolurshshsh…

There was a weird yelping sound.  I saw that a dog lay in the road near the bottom.  Like a golden retriever puppy.  I popped the back of my camper top on my pickup truck and ran down the slippery road to pick up the dog.  It was dead — struck by the out of control truck.

The other me came down beside me, looking on impassive.  I was horribly upset, but I didn't say anything.

And then I said (the other "I" said):  "You'll need to get to level ground, if you want to restart your dog."  Like… giving advice to someone who's trying push-start an old car.  It made strange sense, but it was still utterly useless advice. 

I woke up.

Caveat: 25 random things (cross-post from facebook to blog)

I've been spending more time in facebook, recently.  I'm not going to make much effort to "cross-post" things between the two places, but the potential for a sort of "online personality divergence" makes me weirdly uncomfortable — I'm not sure to what extent my miniscule blog audience overlaps my miniscule facebook audience…

Anyway, in this instance, here is a cross posting from facebook.  A challenge is circulating there, to post 25 random things about oneself.  Here is what I wrote:

1. I like making weird lists of random facts about myself. So this task
should go well and prove entertaining.

2. I jokingly tell people that I'm on my 6th career, and it definitely won't be
my last. Let's see… in reverse order: 6) Elementary EFL Teacher 5) Database
Programmer and Business Systems Analyst (maybe that's 2 at once?) 4) High
School Spanish Teacher 3) Graduate Student (that's a career, isn't it?) 2)
Bookstore Flunky 1) US Army Mechanic 0) Itinerant Hippie-Type-Person

3. I wrote a doctoral dissertation proposal on Cervantes' under-appreciated
novel "Persiles," but I dropped out of the Univ of Pennsylvania program in
disgust with the departmental politics; they gave me an MA as a "consolation
prize."

4. In 2004 I wrote a "temporary" computer program that a former employer of
mine used to bill a Very Large Customer (let's say they have corporate HQ in
Detroit, and the monthly billing amount was approximately $1 million, with
invoices running to 300 pages). As far as I know, they were still using that
program in 2007. When you log onto the intranet site that runs the billing
program, I had placed a quote by Mao Tse-tung on the splash page. It's still
there.

5. My television is broken. I like it that way. I use it to pile up my "half
clean" laundry… the stuff it's not time to wash but that isn't clean enough
to hang in the closet. If I need video, I watch it on my laptop.

6. I'm a language geek. I have studied 20 languages in some kind of academic
context for at least a few months. That doesn't mean I can speak them. In
most, I can barely say "hello, howareya?" In no particular order: Latin,
Ancient Greek, French, Spanish, Portuguese, Italian, Russian, Dakota (Native
North American Language), Mapudungun (Native South American Language), Korean, Medieval Welsh, Ancient Sumerian, Georgian (Kartuli), Japanese, Mandarin, Arabic, Purepecha (Tarascan, Native Mexican Language), Dutch, Catalan, German.

7. The languages in which I could truly claim any degree of competence are (in rapidly descending order): English, Spanish, French, Korean, Portuguese, Russian, Italian… from there, don't even bother. I claim fluency only in English and Spanish.

8. I cook a mean mole poblano (famous Mexican Puebla style "chocolate chicken"). I haven't done so since moving to Korea, though. Ingredients hard to come by…

9. I love snow and rain much more than sunny days of any kind.

10. I died on November 17th, 1998, from intentional drug overdose. This is my 10th year as a ghost on planet Earth. I'm much happier as a ghost.

11. I love my family, though I don't communicate much with them.

12. I really want to learn Korean for 3 reasons: 1) the challenge — it is reputably one of the most difficult languages in wide distribution to learn 2) the novelty — it is very unique grammatically in the world 3) for my nephews (two Korean boys my sister adopted)

13. My childhood ambition was to be an architect. I feel like it's too late… but is it?

14. I secretly love cheesy romantic comedies.

15. There are still many places I want to travel to and visit. Top of the list: Phillipines, Japan, Mongolia, Vietnam, Indonesia, Finland, Russia, Turkey… uh, well, everywhere. OK? Everywhere.

16. I think I like being a "foreigner" — like when I was living in Mexico, or here in Korea, now. I think it helps affirm my inner alienation.

17. The big surprise of my recent career shift is that I actually enjoy teaching elementary kids more than older kids (and/or adults). It makes sense, but it honestly had never occurred to me before.

18. I own around 4000 books. They're in storage, in Minnesota. Except for, say, the most recent 50, lying around my apartment here in Ilsan. I can't seem to get rid of books, even if they're in a language I may never be competent to read.

19. If I go back to grad school, it won't be in Spanish Lit (which is what it was before). Maybe back to Linguistics?

20. I have more than 6000 music tracks on my computer. I admit… I'm a pirate. Argh.

21. I used to hate kimchi… but dang, that stuff kinda grows on you.

22. The place I've lived longest is Humboldt County (first 17 years minus a
half year in Oklahoma City plus a half year or so in 1990). 2nd runner-up is
Twin Cities, Minnesota (about 10 years cumulatively). 3rd place is Los Angeles
County, various locations (about 9 years total); 4th place is Metro
Philadelphia (about 3 years). 5th place is Northwest Gyeonggi Province, South
Korea (now about 2.5 years cumulatively). 6th place is Mexico City (about 14
months total). Other places where I've lived at least 3 months: Chicago,
Illinois; Valdivia, Chile; Boston/Cambridge, MA; Acuitzio, Michoacan, Mexico;
Quetzaltenango, Guatemala; Craig, Alaska; Oklahoma City, OK; Fort Jackson, South Carolina

23. Technically, I'm a widower. The real story is more complicated — we were
separated and discussing divorce when Michelle committed suicide in June of
2000. But I miss her nevertheless.

24. I have a stepson, Jeffrey, who is now 22 and a student at St Cloud State
in Minnesota.

25. An old friend of mine, Rosita (now 71), in Mexico City in 2007, asked me
why I'm single. "Porque todavia creo en el amor verdadero," I answered. (I
still believe in true love).

 

Caveat: Centering

I had a profoundly traumatic fourth grade year, split between Edgemere Elementary in Oklahoma City (for that half-year we spent there when Ann and Mara and I were staying with my grandparents), and Sunnybrae (which at that time was an elementary school – it didn’t change to a middle school until a few years later, just in time for me to attend there again in 7th and 8th grades).
I really hated my fourth grade year, although I remember being sort of friends with Kray, and close friends with Colin Brant and Tom McConnell.  But the following two years, for 5th and 6th grades, I went to “Centering School.”
pictureI laugh it off sometimes, in trying to explain it to others who don’t know or understand what a Humboldt County upbringing can mean. “It was a hippie school,” I’ll joke. “We meditated after lunch, and they let us vote on what to study next,” I will explain laconically. The very last may be a bit of an exaggeration. But overall, they’re not inaccurate. And the fact of the matter is, they were the best years of my long, complicated education. I will remember teachers like Rita and Peggy forever. I still feel close to especially Peggy, who I describe to people using a word like “godmother” – she’s probably the closest thing I’ve had to one. Admittedly, Peggy was not just my 6th grade teacher, but also one of the residents of the extended A Street menagerie, and had been part of the community that raised me from infancy.
And my best friend was Steven Rossa. We used to stage mock battles in the halls, when Centering School was located at the Methodist Church on 11th Street, or go hunting evil villains in a sort of superheroes roleplay across the parking lot and around behind the buildings. The school was small, so what age you were meant little about who you hung out with… so it created a much more natural, human kind of interaction between the kids, with lots of mentoring of older to younger. There was a huge emphasis on arts:  drama, writing, drawing, etc. Appropriate, since the school’s founder was a HSU art professor.
Here’s what’s strange, now, all these years later. I’m a bit old to be part of the typical facebook demographic. As would those who are in my generation, which is to say, my Centering School peers. But lo and behold, it seems as if vast numbers of Centering School alums are facebookers, and everyone’s friending everyone else like mad. Perhaps something about the original environment drawing and encouraging creative types leads, all these years later, to a high rate of internet adoption and comfort? All I know is that there are more people from 5th and 6th grade Centering School in facebook than there are from my college years… at least that I’ve seen. That’s a strange statistical improbability.
Regardless, it’s very cool to be meeting up with people, online, who I haven’t seen since 1977, the year I finished 6th grade…  if rather disorienting. It was such a great community! I have sometimes said that I was subjected to two horrible traumas during my childhood: my parents’ divorce, and my departure from Centering School at the end of 6th grade – and I’m not really joking when I say that of the two, the latter was worse.
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Caveat: Borrarlo de tu vida!

I step out of my building at 1:05, running late for a second day in a row. I try to operate in a happy medium between insolence (always late) and subservience (never late), thus reflecting my dissatisfaction with my management on the one hand and my guilt-driven work-ethic on the other. Two days in a row is perhaps pushing the insolence direction.
The day is overcast, and that lifts me. Heaven is closer when the sun is hidden.  I’m weird, that way. I remember a day, during one of my aimless wanderings in Mexico.  I was about 20, and I was walking along the side of a highway, I think on the outskirts of La Paz, BCS. That’s one of the hottest parts of Mexico – tropical desert. The sun was beating down on me like an angry Pharaoh, and I vividly recall thinking to myself that there was something malevolent in it. I wanted to stand there at the side of the road and shake my fist, like a madman in a movie. Perhaps this is merely the result of having grown up in a place where there was so little sunshine.  The sun comes to represent something  alien, unknowable, not always an entirely welcome visitation.  I don’t know.
When it’s extremely cold and also sunny, it’s an odd thing.  The earth is ignoring the sun.  “I’ll be cold, anyway,” she argues, and shrugs a pale, frozen shoulder.  I feel close to the land when the weather is like that.  And when there are clouds, I am close to heaven.
Anyway.  It’s a mild day (as overcast tends to be).
Linkin Park kicks in on my MP3 player. I turn up the volume and start the walk to work.  I refuse to take a taxi, even when I’m running late – on average, it only takes me 7 more minutes to walk the 2.x km than to go flag down a taxi and drive there through several inevitably long waits at red traffic lights.  And it gives time to reflect.  And I need the exercise.
Why am I late today?  It’s kind of embarrassing – I was reading some of my own old blog posts. There was a moment of self-revelation, reading a post from April, 2006 (Caveat: angst). Not particularly deep, but it put me into one of those introspective fugues for half an hour.  I won’t quote my own writing… that seems indulgent – go read it if you’re really curious. I think you’ll see what I found striking about it:  I listed a series of alternate futures for myself, and one of them is exactly true. That’s… disorienting.  I’m not normally very good at predicting my own future.
A track from The Who’s Quadrophenia shuffles onto my player. Last night I received a puzzling yet wonderful email from a former student, Jeong-eun. She was in one of my most advanced elementary classes at LinguaForum, and was one of the most interesting, intelligent, introspective 5th graders I have ever met. Without being at all “nerdy” – that’s a difficult combination to pull off. Anyway, she was saying she had fond memories of the class and adds, “Teacher, with us you always laughed and never showed even when you had hard time.”  Which is pretty good English, too.
But she also says an odd thing, about that “now you are going away so I am very sad.”  Does she know something that I don’t? I wonder to myself. And this brings me back to my current never-quite-resolved dilemma:  am I going to stick it out with hellbridge (my current employer) to the end of my contract?  Or am I going run away? (metaphorically speaking… I would try to negotiate a fair-to-all-parties letter-of-release if I decided to quit). Which brings me back to that blog post from almost 3 years ago, and my friend’s comment about me being a “serial quitter.” Hmm.
I see a tiny girl, maybe 7 years old, in pink jacket, confidently riding her bike on one of the pedestrian paths that grid Ilsan between the blocks of apartment towers.  Standing up on the pedals, and holding a cell phone in one hand, and coming to an adroit stop at a red light at a crosswalk. I feel an odd mixture of admiration and envy.  Envy? Sometimes I yearn to just do all of life OVER again.  But just at that moment, the Mexican rock-en-espanol group Control Machete is playing their song Amores Perros (title song to an amazing movie, by the way), and they declaim into my ears with an angry growl, “… la codicia… borrarlo de tu vida!” (… envy… erase it from your life!).  Interesting synchronicity, there.
As I approach the last turn in my right-angled zig-zag trip to work, a track by Absurd Minds shuffles into my headphones. Something more recent, a teutonic-toned goth/industrial electronic bit. And the decisions and exhortations are deferred. To work.  To grading, and into that insufferably hot, stuffy, staff room.  The annoying pesterings and chaotic emendations of the middle-managers, and the dipped heads of deference:  네, 부원장님 (Yes, Mr. Assistant Director), in non-confrontational tones.
And then, a few hours with the kids, absorbing their reflexive optimism, to see me through another day.
What I’m listening to right now.

[UPDATE 2011: youtube embeds added as part of background noise; UPDATE 20180603: youtube embed repaired due to link-rot]

Caveat: Nostalgias Invernales

Hoy en la mañana me desperté de un sueño medio extraño. Había soñado con una serie de imagenes algo desconexas pero bastante pelúcidas traídas de los recuerdos de una telenovela chilena que me había interesado durante el invierno que pasé en Valdivia en 94: su título fue Rojo y miel. Lo extraño era que dentro del sueño, me desperté y me puse a indagar la telenovela en el internet, intentando recordarme mejor de su contenido, e incluso intentando buscar la posibilidad de bajar los episodios de ella para verla de nuevo. Dentro del sueño, habían páginas de google y wikipedia. No eran muy claras, respecto sus contenidos, pero las páginas verdaderas que después busqué, al despertarme, no eran exactamente paralelas. Sin embargo, nunca pude encontrar episodios de la telenovela para downloadear, ni en el sueño ni mucho menos en la realidad a la que regresé luego.
Tal vez mi subconciencia trujo estas memorias por causa del tiempo: estos días aquí en Seul han habido unas lluvias frías, al borde de ser la nieve, muy parecidas a las valdivianas de aquella época, cuando me sentaba acerca de la chimenea en mi casa de huéspedes, comiendo algun curanto casero chileno, muy delicioso, para mirar el nuevo episodio de Rojo y miel… para después, desaparecer el cuarto frío para estudiar el mapudungun (idioma mapuche), y mirar las luces de la noche sobre el Río Calle Calle desde mi ventana (véase la foto… mi casa de huéspedes quedaba dos o tres cuadras a la derecha del edificio que está a la derecha de la catedral… y en frente, el Calle Calle, gris y calmado).
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Caveat: My Korean Childhood

I sat and watched Brandon being disciplined by Pi Seon-u (our principal). I felt dirty, watching it.  I always do.  It's not really that bad, I tell myself.  It's the way things are done here.  Mr Pi makes Brandon hold a ream of photocopy paper on his hands, outstretched.

What I'm seeing is identical to the sorts of hazing exercises that were so common in basic training, in the US Army.  You hold out your arms, palms downward, straight in front of you.  Your M16 sits on top.  It's not really that heavy, you tell yourself.  And it's not.  But holding it there for more than half a minute or so is incredibly difficult.  Try it sometime.  It takes discipline, and it hurts the outstretched muscles in the arms and in the back of your hands.

Brandon holds it.  Drops it.  Picks it up and holds it again. Mr Pi lectures him in soft tones. I don't understand what's being said, but it's easy to imagine. Behave. Self-discipline. Don't disappoint.  Work hard. What would your parents think? Do you want to end up a failure?

Brandon is such an intelligent and bright-spirited boy. A fifth-grader, I think… he was at LinguaForum, before coming to Hellbridge. But he's the kind of boy that gives the term "bouncing off the walls" literal resonance. In the US, he would be labeled ADHD and would be strung out on ritalin. Anyway… it's easy for me to imagine what he might have done to antagonize his teacher – I sent him out of my classroom more than once, myself, back when I had him at LF.

And I wonder. Is it possible to learn discipline, for me, at this late age in life? I had a singularly undisciplined childhood, and despite that, I still play the same sorts of lecture scripts in my head.  Not that they're successful.  Not that they impart any kind of self-discipline. But they're there.

Can I, now, learn discipline? I feel guilty that I don't have it, when I watch someone like Brandon being disciplined. Disciplined.

Discipline.

Can I look at it from a Foucauldian perspective, theoretically, and still continue to believe that it has value for the individual? Can I see the cruelty of it, with children, and still believe that it could have value, for me? It seems so.

I think it might be the case that I'm sticking it out at Hellbridge because of this burning quest for discipline.  Those piles of papers to correct… they impart discipline. I've enrolled myself in a new sort of psychic boot camp.

Discipline.

Korean culture approaches almost all collective cultural pursuits (schooling, work, even social gatherings) in a way that Americans reserve for boot camp:  social spaces provide a means to impart the collective discipline on the individual.  And the individual is there to soak it up. 

Falling down is common. And the response is supposed to be:  pick yourself up, brush yourself off, and soldier on. Push hard, fail hard, push some more.

Not everyone picks up and soldiers on.  And the shame of failing… of not picking up… is excruciating for the individual. The suicide rate is very high in Korea, especially among students. A 10-year-old boy was in the news, recently; he committed suicide over academic pressures. A 10-year-old! Kids like Brandon. 

Koreans shake their heads, feeling sadness and sympathy. Even empathy, I'm sure. But they never question the basic premise: the failure belongs to the individual, the success, to the collective. Not one Korean whom I overheard discussing it thought to question if the boy's parents might not have been doing a perfectly adequate job, in placing such pressures on him, or thought to wonder if the academic system here bears some responsibility. 

If Brandon turns up dead tomorrow, what will people say? What will they believe? What will I feel?Would I be complicit, because I've watched Mr Pi disciplining him from the corner of my eye, with a disturbing mixture of distaste and envy? Yes, envy: that I had such strength of spirit. To fall down, pick up, and soldier on.

Discipline.

Caveat: Ragged Point, 1998

The following is a fairy tale.

He parked the maroon Pontiac on the side of of highway one just north of Ragged Point, California, facing the setting sun and the vast, swarming, grey Pacific.  He'd driven it down slightly into the bushes, so it wasn't entirely visible from the highway.  He'd bought 100 tablets of diphenhydramine and a liter of vodka.  He began swallowing the pills with swigs of vodka, and watched the sun sink into the banks of fog rolling off the sea.

He managed to swallow more than half the tablets.  He went lightly with the vodka, because he didn't want to throw it all up, like that other time.  This was meant to be the end. 

There was a very quiet period.  There was crying.  Impotent anger at the world.

Then it was dark, and he felt his heart accelerating.  Had minutes passed?  Hours?  "This is it," he muttered.

He perceived his heart beating very strongly, he began to black out, feel dizzy. Nauseated.  "Shit."

He felt his lungs laboring.  He was burning up.  He saw nothing but blackness, he heard a buzzing.  And his banging, angry heart, leaping in his chest.

He started to scream.  Or would have been screaming, but his lungs were out of his control.  Was he even breathing?  This really was it.  Death.  Such a vivid experience.  But… oh, and there's the white light.  Let's analyze this, he thought.  Let's think this through.  The heart has stopped.  It has?  It really has.  The chest is tight.  He felt numbness creeping up his limbs.  Shit, no heart.  Really. 

So what's the white light?  Perfectly logical, he reflected.  The brain is losing oxygen, right?  So… the part of the brain farthest from the heart shuts down first, right?  And that's at the back… the visual cortex.  The center of the field of vision is processed at the part of the brain farthest back, farthest from the oxygen-supplying blood.

And, so… what if, logically, the "default" signal is "whiteness"–light–not darkness?  Then, as the brain "died," the whiteness would spread out in a circle from the center of the field of vision, as the neurons in the visual cortex went "offline."  The white light, the tunnel with the light at the end, approaching the white light… these are merely the brain trying to make sense of the fact that the visual cortex "dies" from the center outward. 

Yes, he was really thinking exactly these things, as he lay dying, in the driver's seat of the maroon Pontiac parked in the bushes off of Highway One at Ragged Point. 

And then he felt some kind of seizure… it was remote from his "self," because all his limbs and body felt numb.  But some kind of banging.  And the heart still not beating.  Hasn't it been an awfully long time?  The white light is so big.  His brain was dying. 

Always a fan of black sarcasm, he decided on his last words, to himself, as a committed agnostic.  "Unto you I commend my spirit," he quipped, to a god who'd never once answered him.  And only a stunning silence, at that moment, was the reply, too.  But he himself spoke the next words, instead.  He himself answered, "aww, fuck this.  You're not done yet!"

And he felt his heart start beating wildly, and he felt his lungs gulping air, and he somehow managed to pop the door open, and roll out of the seat of the car and onto the damp, dewy grass outside and bang his head on the gravel.

And time passed.  And stars were whirling overhead.  And the journey began.  It was the night of November 17th.  He was… nowhere. On Earth.  Alive?  He began to walk away from Ragged Point.

Maybe not alive.  He walked through a tree.  He saw bench, but could not sit on it. 

"I'm a ghost," he decided. 

He saw some approaching headlights on the highway, and so he went down and stood in the middle of the road.  The car went through him.

Definitely a ghost.  Like Pedro Paramo, in Juan Rulfo's tale, he meditated.  Pedro went down into Comala, and didn't know he was a ghost.  He talked to the spirits he met there, including his dead father.

The man climbed a hill, passing through brambles that he didn't notice, and noticing the spirits of other dead people around him.  Spirits?  "Are we all dead here, together?" 

Somewhere in among some trees on a hillside, he found a spaceship.  And down the steps of that spaceship, he saw his uncle.

"So you're dead too?" he asked.  His uncle shrugged.  Said nothing.  Offered nothing.  Walked away down toward the highway again.  He followed.  It was an arduous journey.  Just a month ago, he'd been on his uncle's land in Alaska, but that hadn't been the right thing to do.  The wilderness was very lonely, and loneliness… oh, loneliness.

He walked for a long time.

The stars whirled in the sky.  Cars and trucks passed through him.  He was a ghost.

He found some other ghosts, living in a hole beside the highway.  They did not talk.  They were ghosts.  He did not talk, either.  He lay on the cold pavement and waited for something to happen.  He watched the sky, and began to wonder about the voice that had spoken, so angrily, in response to his hubristic sarcasm.  "You're not done yet."  Done?  It had been his own voice.  Full of strength.

It was at this moment that he realized it was true.  There was no god.  It was all illusion.  Wishful thinking.  Having become a ghost, he ceased being agnostic, for there was no longer any need to hedge bets.  A nihilistic certitude gripped him.  It was a warm, comforting nihilism, such as he'd never felt before.

He remembered he'd been following his uncle.  But… where had that man gone?  It was hard to stand up.  Hard to peel himself off of the cool pavement.

The stars whirled in the sky.

He fell down and felt a moment of pain.  A moment of doubt, about his ghosthood.   Ghost.

He cried, for a long time.  He couldn't find his uncle.

He was a ghost.

The stars whirled in the sky.

But… the sky in the east was turning pale green, the hills of the California coast.  Was he going to spend his eternity here, on the edge of the world, as an atheistic ghost?

He sat on some gravel beside the road, but no cars came by.  The sun was rising.  He felt cold, but not terribly.

He saw a convenience store.  Because he was a ghost, he decided to go through the wall.  But the wall… was solid.  He sat down on his butt, and laughed.  Not a ghost, after all?

Then what?  Where was he?  He sat on the curb in front of the convenience store, which appeared abandoned, now, in the clear morning light.  There were no more spirits wandering the empty highway.  A truck barreled past.

"Shit," he muttered.  Still alive.  Not done yet.

He stood up, and brushed dirt off his shirt.  He stood beside the road, and stuck his thumb out at the next car that went by.  Several cars later, a pickup truck stopped and a man asked if he was OK. 

"No," he answered.  "I need to get into town."  He didn't make too much conversation after that, but alluded to an imaginary car problem.

The pickup truck driver dropped the man off in Cambria.  He realized he'd somehow covered more than 30 miles from where he'd parked his maroon Pontiac at Ragged Point, but only 5 or so of those miles had been in the man's pickup truck.  Had he walked 20-something miles among the ghosts in the night?

He called his father collect, and explained what had happened, elliptically.  He bought a bus ticket to San Luis Obispo, with the last of his cash, and his father collected him there.  His father took the man to the emergency room to make sure he'd survived his ordeal more or less intact.  Then the father had the man committed to a "mental health facility" in Alhambra. 

The man descended into a catatonic depression, then.  He kept dreaming he was back at Ragged Point.  But he wasn't done, yet.   The November air in Southern California always smells of honeysuckle and asphalt.   That's the smell of… not being done, yet.

A series of ECT sessions broke the catatonic depression.  Six years of therapy and antidepressants mostly banished the darknesses that had always haunted him to the corners of his mind.  He had a semi-successful career, even.  But he was restless.  He kept wandering.

Ten years later, he dreams about Ragged Point.  About the stars whirling in the sky.  Sometimes, he speculates that he is, in fact, a ghost.  Still, he's not done yet.

Postscript.

I think he managed to swallow about 60 tablets.  That would make well over a 1000 mg of diphenhydramine.  Doses above around 800 mg are generally considered potentially fatal, and combining it with another CNS depressant such as alcohol increases risk considerably.  It was not, perhaps, the simplest or most painless way to try to go, but it had been well-thought-out.  A previous attempt, at a motel in Maryland, had been ill-considered and unsuccessful… too much alcohol, and not enough sleeping pills, had led to vomiting and unconsciousness, but had never had much of an actual risk of death.

The wikipedia article on diphenhydramine points out, regarding the "recreational" use of the drug, that "people who consume a high recreational dose can possibly find themselves in a hallucination which places them in a familiar situation with people and friends and rooms they know, while in reality being in a totally different setting."  This correlates well with the man's experience at Ragged Point.  Regarding the actual potential of death… high overdoses are generally accompanied by symptoms such as tachycardia, hyperpyrexia, and seizures, all of which the man remembers vividly.

Speculation on the part of the hospital intake staff the next day was that he'd induced a minor heart attack in himself.  Whether his memory of his heart actually stopping was a hallucination or a real experience is anyone's guess, but it does match well with the expected profile of an overdose at the level he attempted;  wikipedia says, "considerable overdosage can lead to myocardial infarction (heart attack)."

Caveat: Foggy… Guilty… Gold, Falling Leaves.

It’s a rare foggy night in Ilsan. And somewhere along the way, it suddenly became deep autumn: the trees are all turning yellow and gold fast, and leaves are piling up on the sidewalks.
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I dreamed about my cat (ex-cat?) Bernie, last night. It was sad, as yesterday I’d gotten an email from my brother (who shares partial custody of her, I guess you might say, with my father), saying that she was seeming sick, and so he’s taking her to the vet.
In my dream, I was visiting some people (unspecified people), and they had cats. The cats were all very friendly with me. But then I noticed that Bernie was there, too.  But she wasn’t being friendly. She was sitting very quietly, looking at me in the distrusting way cats have of looking at you. A fairly transparent dream – my guilt over having left her when I came to Korea, right?
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Caveat: Minor Chords

pictureSometimes I log into Second Life and mindlessly drift around.  It’s a virtual universe, often mistakenly called a “game” but in fact more like a shopping mall for everyone’s id–there’s no plot, no objective, no theme.  Just everyone’s craziness touching up against one another, kind of like in real life, but without the social risk, maybe.
I’ve adopted a “skeleton” avatar.  See picture.  I go to virtual nightclubs and learn about new Industrial / Gothic music, which perhaps appeals to me because of the predominance of minor chords.  My skeleton dances to the music.  See picture.   Sometimes I take note of music I like, and go searching for it in a torrent (the latest way to download things for free, basically).  I’ve found a new band I like, with the stunningly fabulous name of Apoptygma Berzerk.   I’m stuck on a song called “Kathy’s Song.”  I’ve embedded a youtube of it, below.
A lot of gothic/industrial stuff is European–especially German and Nordic.  One group I rather like is Cephalgy, and their song “Hass Mich” (I couldn’t find a youtube of it).  I’ve never quite puzzled out the relationship between Goth/House music and German culture, though I suppose the overlap is related to the Weltschmerz they share.   Then again, I’ve got my own dukkha going, at the moment.  The Koreans call it 고 (苦).
Then you hear something old, like Joy Division’s “Love will tear us apart.”
I’m hating work, but I really feel that quitting short of contract would leave me feeling more depressed than just putting up with it.  I don’t deal well with feelings of failure.   The weather has turned deliciously cool and fall-like.  Leaves are turning color and swimming around in clear air.  The clouds are no longer hazy, but fractally bounded complex objects adrift in simpsonian skies.   So, at least walking to work is pleasant.
I’m gaining weight–probably related to how cortisol (stress hormone) alters my metabolism, as I’ve not changed my eating habits at all.
My stock portfolio is now officially down more than 50%.   Yay capitalism!
The Korean won is now down 50% relative to where it was when I came here.  Yay capitalism!

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Caveat: Job

I awoke from a transparently symbolic yet overwhelmingly simple dream this morning.  Most everything in the dream was the same as in "real life," except that my name was Job, not Jared.   There were a few moments in the dream when I was reading an article on wikipedia about Steinbeck's The Grapes of Wrath.  There was another moment when I stood in the classroom, and the students were asking me something, addressing me as "Job-teacher," with a long, pure, Minnesota-inflected /o/. 

Upon awakening, I looked up The Grapes of Wrath on wikipedia, but the article wasn't the same.  The novel wasn't even the same as in the dream–not that I remember quite how it was different, there.  Somehow the dream version of the novel was less Steinbeck, more Melville.  Waking up with echoes of Job left me with neurons firing associated Northrop Frye and Harold Bloom.   I looked those authors up as well, and then wondered if it were possible to be a gnostic atheist.  How would that work?  It seems like it would lead one down a path toward one or another of those crazed conspiracy theories. Bloom, in turn, lead me, via David Lindsay's A Voyage to Arcturus, back to Alasdair Gray, whom I've mentioned before, here, I think.

The pun that is central to the dream is embarrassingly obvious, given my unhappiness with my job.  I'm very glad that Freud is dead, as I'd not appreciate his making a case-study out of it.

Caveat: Zen with a Red Pen

I have long been drawn to the idea of zen-like meditation. But the fact is that I have a stunningly un-calm mind, and efforts at traditional meditation have generally failed me.
I have been reflecting that what I need to do, to meet this challenge I currently face – these massive piles of papers to grade that seem so overwhelming – is to somehow cultivate an “emptying” of my mind, around the process of having to grade student papers. Thus, I can try to turn the work with the red pen into a contemplative exercise.
Authors like Thich Nhat Hanh have written about the need to approach even the commonest of daily tasks – such as, say, doing the dishes–with a contemplative and calm and fully focused mind. And I’m not one of these people who naively believes meditation (zen-like or otherwise) requires paraphernalia of any specific kind, mental or physical. “Any activity done mindfully is a form of meditation, and mindfulness is possible practically all the time.”
pictureHere is picture of a typical-sized pile that I face on a weekend. So, is it possible? Can I make the massive piles of papers-to-grade into a opportunity of enter into a meditative state? I need to escape the resentment and anger I feel about it. If it turned into something calming and contemplative, wouldn’t it then be something I would be less inclined to dread and procrastinate on?
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Caveat: Syntax in the Rain

I step out of my building at about 12:45.  It's raining, but not too hard.

I start listening to my MP3 player as I wait to cross the street in front of my building – this is always the longest crosswalk wait, as the street is busy and the light is on a very long timer, and there are always police around, so jaywalking seems less attractive than at other points on my route.  Once I crossed against the light, only to see a group of about 10 policemen marching in a line on the sidewalk directly opposite me, and the last one in the line looked at me directly and made a menacing face, though he didn't do anything – maybe because they were in a formation or going somewhere important.  The borough police station is just up at the main corner, after all.

My MP3 player is playing Radiohead.  I've been thinking about languages.  Well, aren't I always thinking about languages?  Lately, when people I meet  ask me things like, "so, what are your hobbies?" I have been answering, "studying languages."  And… I've been meeting alot of people, lately, what with the new job and all.  It is true that studying languages is a major hobby of mine – not that I'm really that good at it – but it's not that common that I come out and state it as a part of introducing myself.  After all, it's very eccentric – like so many things about me.

So, I had this thought, just now.  The reason I like Korean is the same reason I like LISP.   This may take some explaining.  LISP is a computer programming language.   It has a reputation for being elegant but eccentric and difficult, but it was the first computer programming language that I truly felt "at home" working with, and I much prefered to to something like BASIC or Pascal, which were the other programming languages I experienced and worked with in the 80's.  In the 90's, I didn't do much with computers, and the only thing I worked with extensively was HTML and derivatives like DHTML, mostly for hobbyish pursuits.

Then in the most recent decade, I became a database hacker, and SQL became my dialect of choice, although I've done some work also with trying to learn OO-languages, such as C#.  But I was essentially married to SQL, to the extent that I would attempt to solve network-admin type problems with SQL scripts (using extended dialects that allowed such things, like Microsoft's T-SQL or Oracle's PL/SQL).  These efforts, though often successful, would tend to make the more traditionally-minded colleagues around me laugh and shake their heads. 

Throughout it all, however, I have always thought that LISP was a truly beautiful and elegant language, like an abstract mathematical object.  SQL is grubby, messy, and "evolved" – meaning that it grew to its present standard slowly and through trial and error, and it lacks the systematic beauty of something like LISP, I think. 

Obviously, no human language is "designed" in the sense that LISP is.  Nor is it, practically speaking, abstract – obviously.  But there is a weird, complex elegance to the underlying grammatical patterns of Korean that remind me of LISP, in a strange way.   It somehow reveals a potential about a different way of conceptualizing grammatical relations that I find fascinating – but it's very hard to explain.  I need to refresh my grounding in syntax universals, deep structure, Chomky's "Government and Binding" (a creepy name for a grammatical theory, don't you think? especially coming from a self-declared anarchist like Chomsky), things like that.  But I genuinely like the Korean language in the same way I like LISP – it's eccentric and fascinating and elegant and magical.

Rasputina starts on my MP3 player.  I turn off the commercial "broadway" and begin walking up the footpath between the highrise apartment buildings.  The trees are so green, and there aren't many pedestrians.

So many people ask me, why are you single?  Actually, not just Koreans (where, culturally, it's a pretty typical question to ask someone), but even westerners that I meet here.  And I never have a good answer for them, except something meaningless and vague, in the spirit of, "well, I guess I prefer it."   But the real reason is tied to the notion above – my interest in, and commitment to, things that are eccentric.  Being eccentric is difficult.  It's not likely I will find people with whom I have things in common, at a deep level.  And I'm not the sort of person to go into a relationship with someone with whom I don't have much in common, I guess.  I am resigned to, and, in fact, comfortable in my loneliness, at this point.

A Japanese pop group, Round Table, starts "Let me be with you."  It starts raining harder.  Much harder.  But…  I like the rain.  It always puts me in a weirdly low-key cheerful, optimistic state of mind.   It may be the clearest indication of my birthplace's impact on my spirit.  Those redwood trees… the eternally protective, sheltering greyness of Humboldt's summer, and the calm embrace of the Pacific Northwest winter rains.  Cloud cover and rain are comforting things, to me, whereas I find bright, sunny skies vaguely oppressive and dispiriting.  Water is the stuff of life – when it's raining, the stuff of life falls from the sky freely.  Each raindrop, a gift from heaven.  Innumerable.

Ruben Blades begins singing "Adan Garcia" – which is about disappearances during the dirty wars in Central America in the 80's, I think.  I dodge puddles and wait for the crossing signal.  I think about the eccentricity of listening to 80's Spanish-language protest music while standing in the rain in a Korean upper-middle-class suburb.  Has it ever been done before?  I find the idea that it makes me unique appealing.

Now I'm listening to Depeche Mode.  The hard, hard rain continues, and my lower half is getting quite wet, below the protective perimeter of my umbrella.  I love rain like this, but I begin to feel anxiety about showing up at work dripping like a wet dog.  It's inevitable that social anxiety can wreck otherwise happy feelings about something.  I get a sympathetic smile from a woman escorting her child, going the opposite direction, both huddled under one not-large-enough pink umbrella and bravely stepping through the rivers on the pavement.

-Notes for Korean-
context:  I have been browsing my hardcore grammar book, Korean Grammar for International Learners, by Ihm Ho Bin et al.   This is a truly excellent reference grammar for the Korean langauge, it's a translation of an academic work written in Korean, but with lots of supporting "translation-to-English materials" so it really stands as an independent reference work – it's the only reference grammar of it's kind that I've seen amid much searching and browsing in bookstores.  It has received some negative reviews from other foreigners trying to learn Korean, but I think that is because it is linguistically sophisticated – I can barely understand some of it, and I have a degree in linguistics, so I could see how it could be intimidating to someone with no background in formal syntax.
내다=do all the way, finish thoroughly
this is a "terminative" auxilary verb; the preceding verb is in the minimally inflected form e.g. -어/-아/-여 (depending on vowel harmony)
경찰이 그 물건을 찾아 냈습니다=(police-SUBJ that item-OBJ find-INFL finish-PAST-FORMAL-DECLARATIVE)=the police found the item
so:
물건=thing, article, item; also 품 (I like the hanja for this: 品 – looks like a little pile of boxes, a good symbol for "thing")

context:  deciphering korean-language websites
직통=direct service (as in a train)
매진=sold out
예약=appointment/예약하다=make a reservation
조회=inquiry
명함=business card (?)

context:  surfing the web
this site has amazing vocab lists: https://21cseonbi.blogspot.com/
진짜=real (I know this… but I keep forgetting how to spell it)

Caveat: Missing the Train to Trenton and Other Misfortunes

I woke up from a series of stunningly unpleasant nightmares this morning.  I don't often have nightmares, actually.  Not sure what it's about.

First, I dreamed I was waiting for a train to Trenton.  I'm not sure why I needed to go to Trenton, although it's not purely random:  there was that year I lived with Michelle in Yardley, across the river from Trenton, and it was a year full of frustrations, as it was the summer I took my master's exams, which, despite my passing, were not what I had hoped for.  I couldn't figure out where I was, exactly, either.  The place I was in could have easily been somewhere in Korea.

Anyway, I was not near the platform and the train was pulling in.  I ran to catch the train, but I realized I had dropped an important list.  The list was written on a long piece of tissue, like from a roll of toilet paper.  Wind blew it under the train, and I couldn't bring myself to board the train without the list.  The train pulled away, and waiting on the other side of the tracks was a woman in a grey Oldsmobile – like Michelle's old, generic-looking (85?) Oldsmobile.  The woman scolded me for missing the train.  I realized the list was still blowing away in the wind, and I had no chance of catching it.
 
Then I was having a different dream.  Things were not clear at all – more a gestalt of images than any kind of comprehensible plot line.  I was in the mountains of Guatemala, trying to drive one of those recycled 60's-era school-buses they use for public transit there.  True to form, there was a Virgin Mary on the dashboard and blinking Christmas lights around the front windows.  But my passengers were a group of my students from the hagwon, and one of them was on some kind of Quest.  You know, the sort of thing that involves dragons and swords of power or stuff like that.

But we'd managed to misplace some of the other students, and we were looking for them.  And there was something in flames, and the road was bad and had donkeys in it, and women with bundles of coffee or something stumbled around in the periphery. And then I lost control of the bus and jumped away, only to watch it carom to the bottom of a hillside and knock over a tree.  And my students were all standing around me, crying.

And then I was having a different dream.  I was trying to find someone's house, driving my old 1965 VW Bug around something that was like a cross between Los Angeles and Seoul.  And I came to this really bad neighborhood. Maybe more like Mexico City at this point.  And I drove down this dead-end street that was very steep, downhill.  And I parked my Bug at the bottom, and got out to knock on the door of this house, but it was the wrong place.  And then I went to get into my Bug, but I remembered that the starter was broken (Which was common with that car), and that I would have to roll-start it.  But the problem was that I'd parked almost at the bottom of the hill, and it was a dead-end.

I decided to try to kind of roll it crossways at the end of the street, but as I started pushing it, it dawned on me that there was no barrier at the end of the street, just this gaping deep chasm.  And suddenly I realized I was going to roll my car right into the chasm.  And the brake wasn't working.  And stupidly, rather than just jump away, I thought of trying to get in front of the car to stop it.  And so the car pushed me right off the cliff, and I fell into the chasm with my car above and behind me, and I crashed at the bottom and was crushed by my VW, and I woke up breathing very fast and scared.

Caveat: Wandering in a straight line

I was listening to the U2 song "The Wanderer" just now – the one Johnny Cash sings vocals, and there's this vivid post-apocalyptic image of a man walking down an "old eight lane" highway.  I was thinking of that book I read a while back, The Road by Cormac McCarthy.  Then I was thinking of Wim Wenders' movie, Paris, Texas.  One of the greatest movies.  How it opens:  the amnesiac Travis (Harry Dean Stanton) walking along through the Texas desert, in a sort of mindless straight line, clearly disturbed, obsessed, broken.

I feel like that man sometimes.  Just walking through the world in a line, no longer with any purpose except to move forwards.  Wandering, in a straight line.

And so then I was thinking of other movies I love, and I thought of Fitzcarraldo (by Werner Herzog).  I looked it up on wikipedia, and discovered a wonderful quote by the director:  he described himself as a "conquistador of the useless" in discussing the fact that rather than use special effects, he actually moved a real, giant steamship over a hill in the making of the movie (which is about moving a giant river steamship over a hill in 1890's Peru).

Caveat: E is for Effort

Another thing that happened at that depressing teacher's day dinner last Thursday was when Grace said "E is for effort."  This was in response to someone (was is Curt?) asking her what she thought of my teaching.  It was said very positively, and she said some other positive things about me and other teachers, too, but upon reflection, I feel as if it's a classic example of being "damned through faint praise."

It's weird for me, actually.  In most everything I've ever attempted in life, if I get a less-than-stellar review, the qualification has generally been something on the order of "very talented, but not the best effort."  Consider, above all else, my fiasco in the PhD program at Penn.  But more recently – the unpleasantness in Long Beach as a database programmer and administrator, and now this teaching experiment – the reviews have been inverted:  "great effort, but, well, with respect to talent… no comment."  What does this mean?

On the one hand, it's because I keep pushing myself to try new challenges.  And, specifically, to try things where I know that I cannot fall back on my innate "Mr Professor" academic talents, such as administrative jobs and this very socially oriented teaching job.  But on the other hand, is it some change that comes with getting older?  Am I getting stupider?  The talent isn't there anymore?  So it's effort, or nothing. 

Regardless, one thing neither Grace (whom I most respect) nor any of my other colleagues take the time to say is:  great teacher.  And, of course, there are where my insecurities lie, too.  I was watching a cheesy Korean comedy in which a mom tells her daughter that teaching is easy – anyone who is a role model to others is a teacher.  I'm trying to figure out what this means – I have an intuition that it will help me to understand Pete's perspective regarding misplaced idealism, maybe.

I guess getting an E for Effort is better than being told I suck, across the board.  And I know that at least most of my colleagues like and respect me, at least at some level – there's the business of being nicknamed "professor" – just like at every other single job I've ever held.  But Grace's comment…  Pete's denunciations of my misplaced, inappropriate idealism (and I'm really not sure what this means, except that he's clearly perceived my excessive perfectionist tendencies and he feels – probably accurately – that these tendencies have no place in the world of hagwon teaching)…  these things have me singularly gloomy, this weekend.

It was deeply, darkly overcast and raining all day today.  A rich, textured, rainy sky, like the most gorgeous, reliably rainy August afternoons in Mexico City, although cooler than that.  I lazed around the apartment and tried to study my Korean.  I walked to the Homever store and, behold, there was Land-O-Lakes brand Pepper Jack Cheese for sale, imported from Minnesota.  I bought some, for the nostalgia of it. 

The nostalgic mood continued when I got back, and I listened to Cat Stevens for several hours.  That's a trip back in time, for sure.  I read a volume of the Deathnote manga (or manhwa as it's called here – long-format graphic novels) – these stories and related movies are so popular with teenagers here, I started reading them as an effort to have another useful basis to show some knowledge of their world and interests, but have found them appealing and interesting reads in their own right. 

Caveat: Gnostic Dreams on Buddha’s Birthday

A dream I had.

Out of the blue, I got an email (or was it a phone call?) from Oviedo.  The infamous Oviedo – the professor who'd sponsored me into the PhD program at Penn, and who'd then been so disappointing as an adviser, and who had devastated me so completely with his statement upon the conclusion of my qualifying exams by saying "frankly, we passed you because of what we expected from you, not because of what you actually did."  This tidbit of condescension had been the "last straw" that had caused me drop out of the program in 97.

So Oviedo wrote (or said?) "what are you doing?"  Not very complex or interesting communication, but given who was saying it, a loaded question.  I answered back (via email) that I was seriously "looking into" going back and completing the PhD, but in linguistics, not Spanish.  This was a lie, but I couldn't bear to say the truth.  In the dream, the truth wasn't at all clear, though – I wasn't necessarily working at what I'm working at in my waking life. 

So having sent the email, though, I felt guilty.  I communicated some with some other professors (ex professors) but none of them had "real" names.   They were "dreamland" ex professors, I guess.  One of them invited me over to London.  Somehow, in the dream, London was close by – but I needed mountain-climbing gear to get there.  So I went shopping for mountain-climbing gear, around Seoul.

I was on this side street, looking for a store that sold what I needed, and ran into Oviedo in person.  He seemed very sinister.  He wanted me to come with him, to visit some people "in the department."  I waffled, and made an excuse about there having been water damage at the school (not true, and how was this an excuse?).

I ended up with some other people – coworkers from Burbank, maybe.  I got a handwritten note from someone who claimed to be a "production designer" for a linguistics PhD program.  What the hell is that?  Like it's some kind of movie, not a graduate program.

I ended up on the same side street where I'd just evaded Oviedo, only to find myself in some kind of basement apartment, in a brownstone that sort of resembled the one on Kimbark at 62nd, that I'd lived in on Chicago's south side in 85 (although the apartment I'd lived in there had been on the 3rd floor, not the basement).  The apartment was unfurnished, but there were quite a few people there, kind of milling about like there was supposed to be a party, but nobody could find it or knew what was going on.

At this moment, "Dan" showed up.  "Dan" (always in quotation marks) is a recurring character from my dreams.  He doesn't recur often, and he does not seem to be related to, or derived from, any specific "real" individual, although in facial appearance he seems to resemble a composite of several guys I knew in high school who used to hang out with a guy named Dan – but the actual guy named Dan (who was palely blond and wide-eyed) plays no part in the appearance or personality of this dream "Dan."

The dream "Dan" is a dark-haired, powerful, swarthy, mysterious character.  He is a bit like a Hindu deity – he seems to be able to conjure additional limbs, eyes, and other body parts on demand.  Also like a deity, he is difficult to look at directly – a bit like an Escher painting, or a burning bush in the wilderness.  Once, in a very vivid dream I had in the early 80's, he was aboard a starship, and battled General Jaruzelski (the nefarious Polish communist dictator) in singular combat, and "Dan" was just a blur of rainbow light.

The last time he put in an appearance in one of my dreams was several years ago, at the least – and it had been only a vague one, a sort of flickering visitation from the edge of something else.  The last time he played a key role in a dream was when I first returned to L.A. from Alaska in 98.

Here, now, he was once again the star of the party.  I always feel apprehension and jealousy about "Dan."  And this was added to, in this instance, by the fact that he arrived with a beautiful woman at his side.  She looked like a Korean television drama star, very urbane and self-assured, with a sly smile.

But, the woman turned out to be the "production designer" who'd sent me the note earlier, and she came up to me immediately, making me feel very self-conscious, and offered to "have a look at those leaks" (the ones I'd used as an excuse when avoiding Oviedo earlier – how did she know about that?).  I was alarmed.

We walked over to the kitchen area of the apartment, and there were some decrepit cabinets with peeling white paint, and with evident water damage around the baseboards, which she pointed to expansively, while a crowd began to gather.  I felt weirdly embarrassed – somehow my lie turned out to be true, and this was just proof of the original lie.  Then "Dan" came over and said something like, "maybe it's time…."

The woman herself looked alarmed, now, and giving me a strange grimace, she opened one of the cabinets, revealing a sort of hidden passage, and climbed inside, pulling the door shut behind her.  "Dan" gave me a kind of sinister wink – and grew Oviedo's beard for just a split second – a sort of hollywoody CGI special effect, very scary, but typical "Dan" stuff.

"It's the aliens!" screamed someone at the party – one of the witnesses.  Maybe Joanne, from Burbank.

That's when I woke up, in a puddle of sunlight, much later than I normally wake up.  Covered in sweat.  My window was wide open, my bed is right below it – sometime during the night, I'd opened it up, but I didn't remember doing it.  It smells like summer.  Someone is banging on something down in the courtyard below my window.  I get up, get some toast to eat, put on water to heat for instant coffee.  I sit back down on my bed, feeling strange.  Today is Buddha's Birthday (a sorta holiday, observed here in Korea based on the lunar calendar).

Feeling cold, suddenly.  I shut the window, just as a cloud covers the sun.

Caveat: Speaking in Caves

It was an unhealthful-feeling weekend. I had an upset stomach or something in that vein. So I didn’t do much.

I had a repeating dream, both Saturday night and again last night. It was one of those very peculiar, semi-abstract dreams, kind of like dreaming a short excerpt from a philosophical novel. The kind of dream I deserve, given the sorts of things I sometimes read or think about, I suppose. But it wasn’t terribly coherent. Prominent in the dream were references to Plato’s Allegory of the Cave. I won’t try to explain it here – you can browse wikipedia for an explanation.

I am not a Platonist. But revisiting the Allegory of the Cave is not something unexpected in the life of my mind – I first met Plato’s Allegory on the pages of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance, which I first read when I was 15, and re-read my first year of college. The book had a profound influence on me – arguably, it has been one of the most influential books I have read.

Platonism and I have had other encounters, and many of my acquaintances and friends have been put off by my almost militant stance against it – especially given the fact that I’m careful to make clear I don’t even fully understand it. But it’s all part-and-parcel with my anti-transcendent take on epistemological topics more generally. Most notable, perhaps, is the unforgettable, inconclusive argument I had with Michelle over the “nature of reality,” which began fairly early in our relationship.

It was in the spring or summer of 94 – before I went off to Chile for 6 months that fall. We were driving back from Winnipeg, through a thunderstorm somewhere in North Dakota. We had been visiting Michelle’s friend Gerry, who was one of the few of Michelle’s friends for whom I felt a certain affinity – he had been a graduate student in Philosophy at the University of Minnesota, and Michelle had gotten to know him when he’d been a T.A. for a general education philosophy-type course she took. So, having been visiting with Gerry out on the Manitoba prairie over the weekend, philosophical topics were in the air.

Already, I knew Michelle was a hardcore Platonist. Though she wouldn’t have been comfortable using that term. Aside from not liking “labels” of that sort, anyway, she wasn’t really very comfortable with philosophical language, despite her strong inclinations to thinking about such things, and her capacious abstract intelligence.

So we argued. Plato versus Aristotle – roughly. It was, in some ways, one of the most painful, unrelenting arguments she and I ever had. It lasted the entire drive back to Minneapolis, and it never really ended after that – we were still having that same basic argument – different in vocabulary and tone, but substantially the same content – on the phone a week before she departed in 2000. It was quite central to her exit: that there was a place, beyond, where she better belonged. So much so, that in some weird sense, her suicide was an eerie sort of exclamation point – an irrefutable concluding remark – to the argument.

And Platonism inevitably comes up in a discussion of Spanish Golden Age literature. The Church was necessarily Platonist – one could argue that one of the great works in post-Plato Platonic philosophy is the New Testament, after all, and medieval and renaissance philosophers were committed to the relationship. But part of the Erasmian humanist philosophical current emerging in Europe in the proto-enlightenment that was nurturing in repressive, 17th century Spain, included a significant redicsovery of Aristotle. And for writers such as Cervantes, the struggle between the two currents is never far below the surface.

And dreams and cave allegories merge in a work such a Calderón de la Barca’s La vida es sueño. In that vein, I’ve always been rather preoccupied by the coincidence of the names of the protagonists of Cervantes’ Persiles and Calderón’s drama: Sigismundo/Segismundo. Their namesake, a 6th century Burgundian king, seems to have been sainted by the Church mainly to acknowledge the dubious accomplishment of his having felt so guilty about murdering his son that he decided to retire to a monastery. Which makes him, in my thinking, perhaps the patron saint of feeling guilty?

So what was the dream? It didn’t really have a plot, although Michelle and Sigismundo both put in appearances (representing the excessively, woundingly real and excessively, woundingly fictional, respectively?). And I was in a cave. And some people were worshiping shadows, and speaking in tongues. Glossolalia. Or maybe, more likely, a xenoglossic manifestation, because I seemed to understand them, although they didn’t understand themselves or each other. Hmm, is this about my work situation, again? If so, it’s an ironic inversion of some kind.

I asked myself… does speaking in tongues, in a cave, constitute a special case of “speaking in caves”? Let’s call it grottolalia. This question, and answer, were actually a component internal to the dream, and both mornings I awoke with that neologism rolling awkwardly around in my head: grottolalia. A good Freudian could have a field day with this. But I’m strictly Deleuzional – post-Freudian, right?

The dream doesn’t seem terribly significant, does it? Not much plot, just a sort of ambient sense of philosophic unease. But the fact of its repetition is discomfitting.

My anti-transcendentalism remains central to my philosophy – of a piece with my unremittingly materialist view of the universe. But it’s perhaps more fragile now than it has been.

CaveatDumpTruck Logo

Caveat: Travels by Rainbow

I overheard a song lyric that I couldn't quite make out, but sounded like "she travels by rainbow."  And now the idea is stuck in my head.  Not the song – I can't even recall the melody.  The idea. [Update, 2008-08-10: I found the song: "Iris," by the group Hercules and Love Affair.]

I googled it ("travels by rainbow") and, except for references to that Lucky Charms Cereal spokesfairy (he travels by rainbow in his many TV appearances), all I found was a reference to a children's book and a character named Zucchini Spacestation who travels by rainbow.  This is exactly the sort of children's book I could conceivably find very appealing.  And it's what I was visualizing when I heard (or misheard) the lyric – a sort of wild children's story plot involving a fantastic character that travels by rainbow.

Which makes me think of the stories I used to make up for Jeffrey, about the ancient Sumerian time-traveling dogs, Enkidu and Gilgamesh, who had a multidimensional discombobulator that they used to visit other-dimensional realms, including a place called Legotopia (you can guess what that was about).  Their adventures were only in the remotest way connected to the "real" Enkidu and Gilgamesh of Sumerian/Babylonian myth.  Actually, their adventures probably most closely resembled Douglas Adams's Hitchhiker milieu.

Once I tried writing down some of the stories.  I wonder if I still have the files saved somewhere?  I know Jeffrey has a copy of one "book" that I "published" (I drew pictures and computer print-outed onto loose paper, and then bound it into a hand-made book using my rarely used book-bindery skills).

[Update 2013-06-20: I decided to add the video and lyrics. The lyrics do in fact include the phrase "travels by rainbow."

What I'm listening to right now.

Hercules and Love Affair, "Iris" ("Iris" means "rainbow" in Greek – she is the rainbow goddess).

Lyrics:

She carries news travels
By rainbow
Bearer of peace with a
Message for all
Today you'll dance,
You'll share each other
Elders will stumble,
The babies will crawl

Put down your weapons, put
Down your chosen ones
Put on your best clothes,
Stand straight and tall
Don't give up on your desire,
I can understand your thirst
Put another one before yo,
Help someone else first

Today is a day for
Someone else,
Today is a day for
Someone else
Today is a day for
Someone else
This moment is yours and you
Can give it to someone else

Put down yout weapons,
Put down your chosen ones
Leave expectations at the door
You are your brother
You are your sister
Communication, start
Giving more

Don't stop believing,
Continue to give praise
Your exaltation is a good thing
Just take those teachings,
The ones of light
Of celebration, and start to sing ]

Caveat: Markets and Methods

I'm approaching the two-thirds (eight month) mark of my one-year commitment, here.  And so, I want to try to set down my reflections about what I came here to do, and what I have been doing.

I guess I'm not that happy with things.  There's the professional side – the desire to come and "try out" teaching, again – to try to replace the lucrative but ultimately frustrating and disillusioning career I'd been organically creating for myself in the world of database software development and business systems analysis.  Then there's the personal side – the various personal challenges I'd set for myself as part of coming here.

First, I can only say I'm pretty disappointed in myself, with respect to the latter category.  I haven't been using my extra-curricular time either productively or even particularly enjoyably.   My creative writing has been at a near standstill since arriving in Korea last September.  The work on my perennial never-started thesis on Persiles remains… never-started.

And my efforts to learn the Korean language keep crashing against the double barrier of – on the one hand – a lack of opportunities (and/or willing tutors) to have intensive real language practice, and – on the other hand – my own inexcusable deficit in motivation.

Not only that:  I haven't even been particularly prompt or efficacious in taking care of those small bureaucratic necessities, such as my income tax problem.  I procrastinate on doing paperwork, or miss the appropriate time to make a call to the states, or forget to follow up on an email to my accountant.

Meanwhile, I muddle along in the professional sphere.  Before launching into a diatribe of tribulations and complaints, however, I should underscore one important fact:  despite everything, I still enjoy going to work each day more than I did when working in Long Beach.  I enjoy the children almost without exception – even the most behaviorally obtuse 6th grader is a huge improvement over my utterly brilliant yet fearsomely erratic and eerily unsupportive boss in Long Beach.  And the school's staff politics are nothing compared to the backstabbing head-games prevalent at Paradise Corp in Burbank.  And the 40-something hours I put in each week are certainly an improvement over the 80-plus I was putting in before  – if I remain disappointed in how I am utilizing my off-time (see above).

So now, regarding the job:  a critical review of my working experience in Korea, so far.  At the outset, it is important to separate two things:  1) criticisms and thoughts about my own performance and behavior on the job, versus 2) criticisms and thoughts about my professional environment – the school, my supervisors and colleagues, the general situation of ESL education in South Korea.  These things are interconnected to a high degree, however – especially in the sense that the same subjective feeling or experience can be discussed in view of either perspective, and the former, above, always will color the latter.  For this reason, keep in mind that I combine these two issues indiscriminately in what follows.

First, I have some ideas about pedagogy and method.  My exposure to these concepts is not extensive. I would consider it extensive if I'd managed a minor or major in foreign language education, for example, instead of just several courses on TESOL taken in late 80's, and the one intensive course in teaching-Spanish-as-a-foreign-language at Penn in the mid 90's.  But, compared to my colleagues here, my theoretical range is deep and vast – which is not to say that such theoretical background is necessarily relevant, meaningful, or even helpful in the trenches.  But it cannot help but influence how I look at things.

Korean EFL education is, for the most part, in the grammar-translation dark ages.  Students are taught plenty of English grammar, and infinite lists of utterly de-contextualized vocabulary, but even after several years are frequently unable to construct more than basic sentences for conversation.  Of course there are exceptions, and plenty of parents have managed to send their kids off to relatives in an English speaking country, or to expensive vacation-time language camps.  But the hagwons (after-school academies) are almost exclusively in the Japanese "cram-school" model, and focus on rote instruction and test preparation.

Further, as far as I can tell, no one in my "chain of command" up to, at the least, the regional director of the schools I work for, has any evident training whatsoever in foreign language pedagogy, second language acquisition theory, and even seem to lack background in general linguistics and general elementary or adolescent pedagogy.

Efforts to apply curricula designed around more progressive ideas, such as a more communicative-based instruction (my personal preference), founder against a double resistance: staff members who are uncomfortable with it, and parents who are convinced that if little Iseul doesn't have a list of 50 words to memorize each night, she's being neglected by her teachers.  The ill-fated "debate program" I've been involved in test-flying has had exactly this happen to it, as it keeps being "cut back" and reduced in scope. 

But my most significant frustration boils down to a single core issue:  L2 versus L1.  In academic discussion of foreign language teaching methodology, L1 stands for the students' native language, and L2 stands for the "target" language.  For me, here, L1 = Korean, and L2 = English.  And the problem is that I remain deeply and philosophically committed to the idea that "good" foreign language instruction requires an unwavering dedication to L2-only classrooms.  And the fact is, that L1 is so dominant in the school where I teach, now, it's downright depressing.

Some of my colleagues seem to believe that my frustration with the predominance of Korean as the language of instruction and administration in the school is related to my own inability to speak it.  I wish they could have been present at the heated departmental meetings at Moorestown, New Jersey where I taught Spanish in 97-98.  I argued there, too, that a Spanish classroom should be a SPANISH classroom, even at the lowest levels.  And certainly my argument there wasn't influenced by the fact that I was weak in L1 (which there, and then, was obviously English).

There are reasons related to the nature of the job market here, however, that explain the predominance of L1 at least in part.  The fact is, truly qualified English speakers are difficult to come by, here.  At least several of my coworkers speak English at a level of competence and/or confidence that is inferior to some of their best students.  I in no way mean this as a criticism of them as human beings, nor even as concerned, dedicated teachers.  But when it is taxing work for ME to understand them and be understood by them, it is no wonder that in-classroom language devolves rapidly into Korean.

The Korean government seems to exacerbate the problem to some degree by, on the one hand squeezing supply through the injudicious creation and application of temporary worker laws, and on the other hand squeezing demand through mis-regulation of the private school markets.

I think that's enough, on theory.  Onto practice, where the shortcomings are more definitely my own.

Most notably (and depressingly), there is an emerging consensus that I'm not a very good teacher.  All the theory doesn't help much, in front of a bunch of unmotivated teenagers.  Coming from one or two people, I can dismiss such concerns as originating in either a misunderstanding or a lack of empathy, or perhaps in poorly understood cultural differences.  But not only have several people independently seemed to reach the conclusion here, but such feedback is not totally out of line with similar feedback I received in 97-98.

The core problem is:  1) I'm fundamentally too cerebral (which makes me "boring"), and 2) I'm too laid-back and too prone to attempt to interact with the kids as if they were adults (which means I have "classroom control issues").  I tend to try to tie the two problems together as both being features of my fundamental pedagogical philosophy, which is that I'm not supposed to be there to "motivate" students, but rather to "mentor" them – which is to say, I do great with self-motivated students who eagerly want to learn, but not so well with those whose own commitment to learning is limited.  All of which boils down to:  I'm only good at teaching students who are more or less the same type of student that I, myself, am. 

No matter how much I enjoy the company of the kids in class, and no matter how much I try to be more entertaining or "interesting," my essentially introverted personality causes me to disappoint my peers, my students, and myself. 

More than one of my friends and family have responded to these self-criticisms with the observation that I don't really belong as a teacher in a grade-school or high-school environment.  That I'm meant to be, and should be, a college teacher.  Easy to see, and to agree with.  But not an easy path to take, since the research-driven academic career clearly hasn't been my forte, so far.  I'm too unfocused, too much the dilettante or generalist. 

There are other criticisms, which I may have a better chance of conquering.  Most notably, people often complain that, more than other English speakers, I am "difficult to understand" and especially, that I speak "fast."  I get defensive about this, and return to the L2 acquisition theory I learned, pointing out that an unfamiliar language (and an unfamiliar accent within a given language) will always sound "faster" to the naive listener – this is a demonstrated "fact" of perceptual psychology, and exhaustive studies of speakers of different languages and different speakers of individual languages show a far smaller variation in "rate of speech" than what we perceive subjectively.  It is only familiarity and/or lack of familiarity that mostly impacts subjective perceived rate of speech.

Yet… surely to the extent it is objectively true, that must impact my ability to be an effective English teacher.  And in conclusion I have to admit that there are real reasons for this understandability problem that I have, that I can clearly identify, if I listen to myself with some objective introspection (is that a paradox?).

Firstly, I tend to use an overly large vocabulary, and I'm actually pretty bad at "dumbing down."  But part of the problem here comes back to the lack of a programmatic methodology to back me up.  If the curricula being applied in the school were sufficiently developed and sophisticated as to be able to provide clear lists of level-appropriate vocabulary (e.g. at level X, these words should be used… at level Y, these additional words should be known), I could use such lists to police my vocabulary fairly effectively, just as was done when I taught Spanish at the University of Pennsylvania, where each textbook had a teacher's guide with exhaustive lists of level-appropriate active and passive vocabulary, and all the texts were integrated into a broader curricular program. 

The other side of the "understandability" problem is more difficult – I also tend to use too much "fringe" grammar – that is to say, I get creative with things like word order and sentence structure, and experiment with the many regionalisms I've been exposed to over the years.  English "allows" this, but it is definitely not appropriate in an L2 universe.  And this issue does not recapitulate any issue I ever had with Spanish, which, despite my fairly high level of fluency, was still nevertheless always an L2 for me.  I do this "playing with grammar" almost unconsciously, and when I catch myself doing it, it's discouraging how pervasive I see it to be.

Perhaps, not all the news on the "boring teacher" front is bad news, however.  My colleague Grace sighed the other afternoon, "I'm becoming a boring teacher!"  Paradoxically, this complaint gave me hope – let me explain why.

First of all, Grace is the person at work whom I most respect.  She's not only the only person on the staff who is truly (i.e. "natively") bilingual, she's also a talented teacher who is clearly beloved and admired by her students.  If you ask our students who their favorite teacher is, the only answer I have ever seen in writing or in heard in speech is "Grace."  And their answers are well-reasoned – it's not just a matter of her being "easy" or "entertaining," which are sometimes features of popular teachers.  Instead, they will explain that she is demanding but fair, serious but kind, etc.  She's whom I would wish to emulate, if only I could figure out how.

And so, the fact that she was bemoaning the problem of becoming boring gave me hope, because it meant that perhaps I could blame the curriculum for at least some of my problem.  You see, this de-evolution of our curriculum toward the stone ages is in part the consequence of my original employer's having sold out to a large and expanding chain hagwon business.  Under its previous proprietors, the school was much less rigid in terms of curriculum, which had both advantages (such as the ability to be more creative in the classroom), but also disadvantages (such as a serious lack of guidance in terms of expectations).

The depressing side of the above is that if the big hagwon chains are being successful by pitching brutalist combinations of grammar-translation-style ESL instruction and Japan-style cram-school test prep, that doesn't send a very promising message about the current Korean ESL market.  And, as much as it pains me to say it, I believe very wholeheartedly in markets.  People really want this stuff.  So what does that say about the potential for enlightened ESL methodology?

None of which solves the underlying dilemma – am I going to keep trying to be a teacher?  Or go off on yet another tangent in life?  I've gotten some extremely discouraging feedback from my more candid (or perhaps less deluded) acquaintances:  something to the effect of, "if your blog is any reflection of your classroom personality, you really ARE boring."  And yet the bad news is, this is REALLY me.  This is how I write when I edit myself least, and these are the things I think about.

Caveat: Dreaming

I've had some strange dreams, lately.  This morning, I woke up after dreaming I was hectically trying to pack up all my possessions so that I could start a new job in a distant place.  This is an accurate enough revisit to the days before my departure, last August, from Minnesota.  But the place where I am doing the hectic packing is a sort of reconstruction of my apartment in Philadelphia from 95-96, not the place I was in last year in Minnesota.  And I keep losing my focus and going on these long, purposeless walks through an urban-industrial wasteland that looks like a cross between West Philly and Hibbing, MN (itself a sort of Eureka-on-the-Tundra, if you can visualize).  I find abandoned subway stations and randomly distributed boxes of old maps or books, that turn out to have been mine, once-upon-a-time.

I return to my apartment, only to drift away again.  The packing isn't getting done, and time is ticking away.  Finally I look at a clock and it's 23 minutes after midnight (what does THAT mean?).  I hurry to an attic space that doesn't resemble the Philadelphia apartment but instead looks exactly like attic in the H Street house in Eureka (circa 1974?).  But it's full of all my damn books, not in boxes and packed, as I'd left them, but back on shelves.  And then I hear music downstairs, and I go to see who's awake, and I fall down the stairs… I don't feel terror or pain at the falling, but a kind of visceral frustration at the lack of control.  And I reach the bottom of the stairs, and some unknown woman is standing there impatiently glaring at me, and I wake up.

Caveat: Poesía

Pablo Neruda, en su Poema de Amor #2:

En su llama mortal la luz te envuelve.
Absorta, pálida doliente, así situada
contra las viejas hélices del crepúsculo
que en torno a ti da vueltas.

Oh grandiosa y fecunda y magnética esclava
del círculo que en negro y dorado sucede:
erguida, trata y logra una creación tan viva
que sucumben sus flores, y llena es de trsiteza
.

Me puse a pensar en estos poemas tan magníficos hoy, mientras caminaba a mi trabajo, mirando los árboles que ofrecían sus flores a la nueva primavera.  Hace década y media que me dediqué a memorizar estos poemas, y lo cierto es que ya no los recuerdo.  Sin embargo, recuerdo algunos fragmentos, y traje conmigo a Corea mi pequeño texto de los poemas que compré en Temuco, Chile (lugar de nacimiento de Pablo Neruda).  Entonces cito unas líneas arriba.
Aquí una foto que saqué hoy de los árboles que me trajeron estas memorias:
picture
picture

Caveat: Dust and Silence

"The sweeping waste, hydroptic and coldly secular.  The silence."  This is the ending of a paragraph near the end of Cormac McCarthy's The Road, which I just finished.  In some ways, a very typical bit of postapocalyptic fare.  In other ways, more spare and unprogrammed, maybe.  A gloomy, depressing book, though.

Oddly congruent with the current fall of yellow Mongolian dust – a seasonal visitation not uncommon in Korea, but rendered more worrisome now that it comes laden with the unquantifiable atmospheric  toxicities of Northeast China's vast industrial effluence.  All the cars were covered with a fine spattering of rain-patterned pale dirt, as the yellow dust had come accompanied by rain.  All the piles of snow have melted.  The cold, damp air tasted like sand.  It was easy to imagine McCarthy's world, as I read while riding the subway into Seoul to buy my Sunday installment of English-language magazines.

The last time I was so profoundly affected by a post-apocalyptic story was perhaps James White's Second Ending novella, which sometimes still haunts my dreams even though it's been thirty years since I read it (and I had to spend 30 minutes with google to figure out the title of it).  But overall I have always felt James White to be a vastly underrated sci-fi author. 

And speaking of underrated, I found myself thinking of Alasdair Gray's Axletree for some reason, recently too – the tale of  those men who build a babel-like tower to heaven, only to damage the surface of the sky and bring the deluge down upon Earth when it shatters. 

Then there's John Lucian Jones' story of the Protagonist – a robot-sentience from a machine civilization called in to solve the mystery of an extinct primitive civilization that seems to have stopped in its tracks just as these robot-people from a distant star were about to make contact.  We gradually learn that the extinct civilization in question is none other than Earth, as the Protagonist obsesses Tlon, Uqbar, Orbis Tertius-style over the ruins and artifacts. The stunning truth is that the robots themselves have inadvertently destroyed everything on the planet due to sheer ignorance of the possibility of carbon-based life.

Caveat: Dream With Soundtrack

I haven't had many memorable dreams, recently.  I seem to go through phases where I dream, and others where I don't – I'm not sure what causes these shifts.  Anyway, this morning I awoke from a dream that was not particularly structured – it seemed to involve a lot of drifting through an environment not unlike the school where I teach, but rather ghostlike and detached, and with a lot of failed efforts at communication.  The last part is true-to-life, of course – what would you expect at an English language academy in Korea, if not a lot of failed communication?  But, what was weird was that I had a vivid sense that the dream had a musical soundtrack, much like many of my dreams used to.  And the music was unexpected – fragments of 70's songs from groups like Journey and Genesis.  The most vivid part of it.  What was that about?

I haven't been very good about posting, lately.  The weather has been very cold, hazy during the days but never above freezing and often 10-15 degrees (C) below.  Not as cold as in Minnesota, lately, from what I've heard.   

Caveat: It’s raining helmets… and the Mexican snowplow squadron

I looked up at my television a while ago, which I had on on some Korean channel.  I saw a man on a motorcycle, he looked like a zombie.  He had a passenger riding behind him.  Suddenly it began to rain a large number motorcycle helmets from the sky.  The driver of the motorcycle was struck by one of the falling helmets.  The television had my attention.
It was apparently the scene from a movie – the show was some movie review show, where they show clips of movies and talk about them, but, since it was in Korean, I didn’t really have much ability to capture what this movie was.  But the scenes were pure magic realism, and I was captivated.  There was a scene where a woman was reading a white book that fell on her from the sky.  And a scene where an immense number of empty plastic bottles and containers (ie. trash) was growing into a giant pile in the center of some huge city.  It grew to such large size it towered over the skyline of the city, like a mountain.  People went and climbed and had picnics on it, enjoying the view.  And could throw their empty containers over their shoulders – so convenient!
So.  I had to know what this movie was.   Hmm… how to search?  Google.  I typed in “falling helmets” and “movie”.  I found a blog about movies – some woman in Minneapolis, of all places.  And lo, there it was:  Citizen Dog (Mah nakorn) – a Thai movie from 2004.
That, and yesterday’s snow, has me thinking about a story I started once – my own little foray into magic realism.  Like everything I’ve tried to write, it never got finished.  The story is set in my familiar haunts in Mexico City.  It starts on a morning I actually experienced, when I emerged one chilly morning from the Casa to see it snowing.  Of course it quickly changed to rain – it doesn’t really snow in Mexico City – except on the higher elevations surrounding:  Desierto de los leones, or Tres Marias.
But then my little story diverges:  in the story, it never stops snowing.  Partly, I was influenced by headlines of a freak snowstorm in northern Mexico – Durango / Chihuahua / Cd Juarez, which had recently received several feet.  I had been obsessing on the concept of hardworking squadrons of Mexican snowplows.  I thought ‘the Mexican snowplow squadron’ might be a great name for a rock band.
Back to the story.  For forty days and nights it snows.  Of course, this means utter social chaos and human tragedy writ large across the hyperinflationary, delamadridista Mexico City of the 1980s.  And meanwhile, snowbound in some small non-profit casa de huespedes, the main characters find friendship, love and meaning.  Really, I was trying to write this.  Once.  Several times.
picture
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Caveat: Then and Now

I went on a little exploring adventure today.  I took the subway all the way to 동두천 (Dongducheon), which is probably about 25 km northeast of here, but because the trip has to go through downtown Seoul which is to the southeast, it was probably about  a 40 km journey.  It's not the longest possible journey on the subway by any means, but it is definitely from one end-of-the-line to another.

I didn't necessarily plan it, but it ended up being an appropriate thing to do on New Year's day – this is very close to being the exact 17th anniversary of my first arrival in Korea, and my first exposure to the country was at the U.S. Army's Camp Casey, located in Dongducheon. 

My arrival:  I was exhausted from a never-ending MAC flight from Los Angeles, via Anchorage and Tokyo.  We arrived at around sunset, I recall, at Gimpo airport (now a domestic-only airport – but Incheon didn't exist yet) and were herded onto buses bound for Casey, which was at that time (and still is?) headquarters for the 2nd Infantry Division.

I vividly remember standing in formation in the bitter, bitter cold, until well after midnight, waiting for my name to be called with my unit assignment.  I was in my dress uniform, with no long underwear and no overcoat, and the transition from California's climate to Korea's was stunning.  Finally around 3 am we were settled into overheated, overcrowded barracks, and over the next several days we did lots of "hurry up and wait" until Sergeant Wise came and collected me and took me to what would be my posting here, at Camp Edwards.

But over the next year I made frequent visits to Camp Casey and "TDC" as we called it (TDC=Tongduchon, an obsolete romanization of the same name) – fetching supplies, coming to training sessions, handling bureaucratic things.  It was Division HQ for our isolated support battalion 30 km to the west.  So it was a familiar place, and probably the only "off-post" part of Korea that became truly familiar to me during my time here.

And so on this anniversary, I strolled around TDC in the bitter cold.  The town was vacant because of the holiday, the sun was setting over the rugged silhouettes of the mountains, and the U.S. base was eerily utterly familiar and yet completely unrecognizable in any specifics, at least from the outside.  I lost my interest in the difficult memory quickly, and got back on the subway into Seoul.  There had been no subway from Dongducheon to Seoul when I'd been here in 91.

I'm watching the news in Korean.  It seemed very cold today – the high was around 15 F (-10 C), which is still not even that unusual by Minnesota standards, I admit – but I didn't bring all the layers (sweaters, etc) I would properly use to face a Minnesota winter, either – so I was underdressed.  The bits of ice in the fields and on the streets was beautiful, but there is no snow on the ground (though I did see some on the rice paddies as the train went through Uijeongbu, which is sort of a valley through the high ridge of mountains between Seoul and Dongducheon). 

Part of why I'm here is to "overwrite" those old, unpleasant Army memories, I think.  But one thing seems to repeating itself, at least so far: I'm experiencing a lot of loneliness.  So far I've failed to forge any friendships here – a combination of bad luck in my selection coworkers (in that they are all basically born-agains and it's difficult for me to find commonalities with them, though they are entirely decent people) and my own failure to get out and find alternate social activities.  This needs to change.

Caveat: Xmas Specials

I watched a really depressing xmas movie today… I was going to do something productive like go to my Korean language hagwon, but I decided I was still under the influence of the influenza virus I've been combating.  But kinda depressing… I watched a rather grim-seeming xmas special on my TV, that I didn't catch the title of (it had dialog in English, which made it the most compelling programming available to my currently muddled mind). 

I took a nap and dreampt I was in some alternate-universe Humboldt County, unable to find my home.  Drifting around, sometimes driving, sometimes walking, like a shade. 

Caveat: Professoriality

A while back my best friend Bob sent me an email in which he responded to a comment I made a few weeks back about always ending as the "professor" at the teaching jobs I've taken on.  I was working on writing back to him finally, just now, but realized this could be a more general comment on the "state of Jared's life."  So here goes…

Bob wrote the following: 

    I wonder whether your multi-lingual, bi-continental, bi-millennial career of being nicknamed “professor” means that you should actually become one? I know you have trepidations about how much backlogging you’d have to do to start a degree in a new field, but shit, if you got a doctorate in anything, you could probably market yourself to teach anything else, perhaps in some cool, alternative-type institution and/or exotic locale. I don’t know how many such places actually exist, but I do seem to detect a trend within academia away from specialization towards more interdisciplinary courses, majors, and so on. Not sure I really know what I’m talking about—perhaps I’m just unwittingly fantasizing about my own dream job.

He's right, of course.  I should become a professor – I've always thought that's where I should be headed.  But getting a PhD is not trivial – especially when one is as unfocused and vaguely dilettantish as I seem to be.  Last fall, as part of my relocation back to Minnesota, I made an extended self-examination around the idea of returning to graduate school.

I audited a doctoral-level seminar with an old professor I really liked on the topic of good old Cervantes, who occupied the position of honor in my abandoned doctoral dissertation proposal when I was in the Spanish Lit program at the Univ of Pennsylvania.   This audit experience merely confirmed the fact that, as much as I love Cervantes and the whole lit-crit game, it's not what I would want to do a PhD on at this point in time.

I had some interviews and conversations with another old professor at the U of MN, who had been my undergraduate advisor and is now attached to the Philosophy Department, wondering if I would do a program in that subject area.  But as much as it attracts me, it's difficult for me to nail down what, exactly, I would do in the field of philosophy.  I'm not really a philosopher as much as a philologist… but we just discarded the philology line in the previous paragraph.

How about linguistics?  I could see doing this, sometimes.  And certainly, that's the subject area that dovetails best with my current pursuits – teaching and learning language(s).  In an aside, I had a fun moment in a class today, as I demonstrated for my terminally bored teenagers a few moments of my experience on their side of the hagwon divide (i.e. my Saturday Korean class):  I did one of those back-and-forth dialogues, where I played both student (myself) and the teacher (my Korean language seonsaengnim), and demonstrated conclusively that I, too, could be profoundly clueless in the face incomprehensible linguistic input.

OK.  No answers.  Just thinking "out loud" here.

I'm having some ramyeon and boricha and listening to Minnesota Public Radio's morning show at eleven at night.  More later.

Caveat: I dreamed I was blogging

Really.  I woke up this morning from a dream in which I had been writing all these excellent posts to my blog.  Of course, I couldn’t quite make out what the these fabulous posts were about, regrettably.  So instead, all I have to post about is the dream.
The weekend was a pretty lazy one, as weekends go.  I had this huge ambition to try to go somewhere new, but I didn’t.  I did a lot of reading, and although I’m not feeling sick at all anymore, I decided I had been stressing too much about my efforts at teaching, so I resolved to not push myself to do anything I didn’t feel motivated to do, this weekend.  The consequence was that although I did quite a bit of walking, it was completely untouristic in nature – I just explored bits of my neighborhood and the larger Ilsan area.
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Caveat: Fear of…

I certainly will concede there is a self-destructive aspect to this constant throwing-away / self-reinvention of myself, that I do.  I quit one career – the whole database programming / computers / business intelligence reporting thing – that in some respects was going quite well.  I take up another – teaching – which at the moment isn't feeling particularly successful. 

Some people who know me have characterized this process as a manifestation of a sort of "fear of success."  What this means… might be true?

I feel like I'm being a pretty bad teacher, right now.  There's that aspect, which I was never in denial about, where the students all seem terrifyingly ungrateful for (not to mention, existentially uninterested in) what I'm trying to do.  No, I never forgot about that.  Little ungrateful twerps, they are – not so much as a "thanks for your efforts."  Of course not.  Did I ever properly thank my excellent teachers in high school?  Not really.

And so as I walked home last night, for the first time since being here feeling a little bit underdressed for the chill in the air, I meditated on this:  do I deliberately sabotage my successes so as to make my life more difficult?  Why?  Because I deserve difficult things?  Because I feel I will only grow and become a better person by confronting difficult things?  Working for HealthSmart was plenty difficult – I could have stayed there.  Why do something differently and newly difficult, diving into an alien culture and language and taking on a job I was never sure I was very good at, anyway, only because I feel I "should"?  Why deliberately revisit old ghosts – the "Korea" ghost of my military service here, the "teaching" ghost of my epoch in Philadelphia – which will present unpleasant challenges and memories? 

The last question is easiest to answer:  I can only assert a positive ownership of my own historical narrative by revisiting these old ghosts and putting them properly to rest.  This was a central, conscious component of the choices I've been making for the last year or so.  And it may be all the answer that's needed.  Still…

Is this changing of contexts and situations really just about running away from myself?  Lots of people would say, oh definitely.  I would say it myself.  But it's not that – I really don't think so.  Or… not just that, anyway.  We all have a fear of failure.  But I think I may also have a different fear which is even more compelling:  fear of boredom.  Honestly, I may prefer serial failure to boredom.  Obviously, success would be great – I don't know that it is really right to say, simply, that I fear success.  But given the option between "failure and interesting" versus "success and boredom," I will always opt for the former over the latter.  This is probably a defect?

This whole little blog entry is a meandering, repetitive failure at meditating on what I'm trying to do with my life.  Plus, it's boring.  So… argh.

Caveat: Silvio, Soft Cell, SavingJane; Seoul Subway Snapshots

I took the subway into the city today.  It was grey and overcast – lovely.  I listened to my mp3 player, and watched people.  I’d love to go around taking pictures of people, but it doesn’t seem very polite to do so without asking, and my shyness, compounded with linguistic and cultural issues, prevents me from asking people.  So… here are some verbal snapshots from the Seoul Metro.
1.  The train isn’t very crowded.  The bench seat across from me is full, however.  Each bench seat, lining the wall between each set of doors on each side of the standard subway carriage, seats seven people.  Six of the seven across from me are watching television on their cell phones, absorbed and in weirdly parallel poses:  a disheveled-looking and too-skinny young man with a pink tie, watching tv;  a woman with one of those bangs-to-eyebrows anime-inspired haircuts, and deep brown liquid eyes, watching tv; another woman, older, with permed hair and a floral pattern dress, watching tv; a man in “exercise clothes” – not sure how to describe, but all the fashion these days here – slick sweatpants, sneakers, a windbreaker, black “gilligan” cap, watching tv;  a school-age kid, glasses, with his cell phone down between his legs – the odd man out, since, instead of watching tv, he appears to be playing a game of some kind; two girls, one in a pink sweater with little hearts on it, the other in a sweater with brown and black stripes, apparently comparing notes on the show they’re each watching, as one drapes her arm tenderly on the shoulder of the other; a woman with long hair in “church clothes” and a rather large crucifix hanging around her neck, watching tv.  The train rocks around the bend after Wondang-yeok, and, since it runs aboveground along there, there’s a nice tableau behind these symmetrically posed people of the green hills of the suburban landscape, interspersed with 8-lane streets, winding country lanes, vegetable stands and an uncountable number of cleverly-named convenience stores.  On my mp3 player, Silvio Rodriguez sings about the Allende years in Chile.
2.  Sometime later, the same bench across from me has changed character.  Two people are sleeping.  A girl is sitting on the lap of her boyfriend, the train is more crowded.  The same limpid-eyed woman is there, but now she’s reading a book – I can’t make out the title (nor could I necessarily decipher it, if I could).  The man next her is reading over her shoulder, more avidly than the woman herself, who glances up with great regularity, as if in thought or distraction.  A man standing in the aisle is staring at my shirt, which says:  “mi taku oyasin” – I’m always in favor of presenting linguistic enigmas to those around me, and I brought this old t-shirt with me to Korea knowing it would be a one-of-a-kind item.  “Mi taku oyasin” is a proverb in the Lakota dialect of the Sioux indian language, and translates roughly as “we are all in the same family.”  I wonder what the man is thinking.  He hasn’t shaved in a while.  On my mp3 player, Soft Cell is singing it’s punk anthem “Frustration:”  “I am so ordinary / Frustration / I was born / One day I’ll die.”
3.  I’ve changed subway lines at the Jongno3ga station, to the number 5 from the number 3.  I’ve decided to go explore Yeouido today.  There’s nowhere to sit on this train, it’s quite busy.  A gang of young men dressed as if prepared to play football (soccer) has boarded with me.  They’re roughhousing a bit and poking each other and peering at each other’s cell phones.  There’s an African-looking man standing at the far end of the car, in an olive-green suit, smiling distantly.  Suddenly  the sound of a cat yowling fills the car, and drowns out the music in my earphones.  Looking down the length of the car I see, just next to the African, an unhappy white cat is escaping from a box that a woman has placed on the overhead shelf.  She’s a large woman, but not tall, and dressed, improbably, in a miniskirt and one of those fashionably torn-on-purpose red sweatshirts.  The African looks amused but does nothing.  The woman can’t reach her cat down from the shelf, and finally another man stands and helps her fetch the cat down and stuff it back into its box, at which point it begins to quiet again, eventually.  But not before a woman sitting across from me makes a rather loud remark of apparent disgust, and, standing quickly, stalks from the car, passing through the door at the end into the next carriage.  The two girls next to where the angry woman had been seated giggle, and continue to gaze down toward the fat woman and her cat-in-a-box with evident curiosity.  The African looks like a handsome Buddha, smiling beautifically.  On my mp3 player, Saving Jane begins singing “One Girl Revolution.”
4.  I get out of the train at Yeouinaru and follow the crowds up the stairs, my ears popping at the change in elevation (the subway is quite deep here, as it has just burrowed under the river from Mapo to the Yeouido island).  On my mp3 player, the Beatles begin “All the Lonely People,” which seems so relevant and appropriate it sends shivers up my spine.  I stand on the long escalator, watching the masses in slow motion.  There are two Indian gentlemen in front of me on the escalator chatting in very soft tones, and climbing the stairs next to me is a trio of American-looking tourists, probably heading for the “63” building (the tallest building in Korea).  I was thinking of going there myself, to try out the observation lounge at the top, but as I climb the last set of steps myself, I see that it has begun to drizzle, and I think about when I was climbing steps on pyramids at Teotihuacan, not so long ago.  A lot of steps.  Catching my breath.  I come out next to the park on the south bank of the Han River on Yeouido island, and suddenly recognize the locale where the movie “The Host” filmed the first emergence of the monster from the river.  That was a pretty funny movie – a female Olympic archery champion hunting the giant mutant monster through the Seoul sewers and desolate industrial neighborhoods along the river, after the creature has kidnapped her younger sister, who meanwhile, in her disheveled classic schoolgirl uniform, pluckily saves a fellow victim, a little boy, from the monster’s apparent wrath.  The Beatles fade from my mp3 player and are replaced by Beck’s “Loser.”
I walk along the river in the rain.
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Seoul Subway Map.

Caveat: Preciouse; Dreams; Alienation

"Happy ingredient for happy meal with preciouse [sic] family.  Good ingredient makes delicious meal!" – this was on a packet of garlic powder I bought at the Homever store.  I went there last night, having decided to buy some makings for some pasta, and stock up on orange juice and the little cans of cold coffee I'm becoming addicted to.

Last night I had a dream – what I call synthetic, not in the contemporary connotation of "artificial" but in the etymological sense of a compositional bringing-together of many disparate elements.  The dream was very vivid and the most remarkable I've had in some time – perhaps the touch of fever from this cold I've got?

As I remember it, the dream picks up in medias res with Michelle insisting on a "big wedding" – but the setting is here in Ilsan, Korea – more or less.  And it's not like this dream is taking place in the past, exactly, though there are a lot of people around from different points in my life – family, friends, etc.

I'm really disconcerted by the idea of a wedding of any kind, and so I argue back, "but… we're already married."  This seems like an important and incontrovertible point; I feel confident this will win the argument.  Michelle nevertheless persists, complaining that we never had a "real" wedding, and, well, it's her due, somehow.  I get less diplomatic, and decide the only way to win this argument is to bring up the unmentionable:  "but… you're dead, Michelle."  How can she argue against that?

But Michelle says, seriously, without a pause, "we're ALL dead, Jared."

This leaves me stunned and almost paralyzed – I feel like a minor character in Juan Rulfo's Pedro Páramo (the absolute greatest Mexican novel, period).  So in this stunned state, the huge wedding proceeds.  The location is a vast, palatial hotel located incongrously out on the tidal mud flats near the Incheon airport.  Very modern, full of those Korean luxury decorative touches – statuary in poor taste, mirrored walls, faux marble floors, fountains.  I become aware that both Randy and Jeffrey are present – contemporary versions of them, not old versions:  Jeff is clearly a grown man, somewhat disgusted and definitely uninterested by the goings-on.

The ceremony itself is quite hazy, but I recall feeling very upset to find an orthodox rabbi officiating (where'd this guy come from?), and I remember that the soundtrack included a pop song by Madonna – a haunting bit whose name I don't recall [update – it's "Ray of Light"], but I have a vivid memory of the first time I heard this song:  I was in the Burger King in Craig, Alaska, in October, 1998 – nice bit of temporal indexing by the dream-maker, eh?

After the ceremony, but before the reception, Michelle wants to take a walk, to look at the chemical plant next door.  Her fascination with machines and factories… you know.  But we end up out on the mud flats;  we're barefoot.  There are people selling things in little stands – shoes, cell phones, clothing – like at any busy street in Korea, or Mexico, for that matter.  The mud is firm – really it's like the way sand feels on the beach, when the waves roll back and leave the sand bubbling and wet.  I remember thinking this is not the way I would expect the mud flats out by Incheon to feel.

We see a boy flying a kite.  It's a younger Jeffrey.  Michelle takes my hand, and announces:  "Jared, did you know that I can fly?"  Of course I'm skeptical.  But she simply raises her arms, still holding my hand, and begins to fly.  I'm taken along with her.  We circle over the chemical plant, and Michelle waxes poetic about the processes involved, all the pipes and distillation columns and such.  We circle among some birds.

Some time later, I'm at the reception, which is going well – but Michelle is missing.  Randy is roaringly drunk.  The dream ends with Randy and I wandering through the enormous hotel looking for a restroom, but unable to find one – my Korean is not adequate to the task of asking about one, and it seems in poor taste to try to mime the necessity to the attendants we find.

End of dream.

This morning I went to the immigration office, took a number, and waited.  The number on the display read 55… the number on my ticket said 112.  The employees went to lunch, came back, I kept waiting.  Finally, after 3 hours, it was my turn – it took 30 seconds for them to hand me back my passport and give me my new alien card.  Now, I'm a LEGAL ALIEN.  This is so… amazing.

It was raining very hard.  There's a place that I walk by where there's a cat I've seen – it has a collar, so I think it might be owned, but it seems kind of feral.  I saw it one night, chasing a rabbit into some bushes.  I wonder what it's like to be a cat in such an intensely human environment, so densely populated with apartment buildings and businesses?

Caveat: Firewood

Location: Arcata, CA

Soundtrack: Inner silence.

This is my home town – I was born here and, with a few interruptions, spent much of my first 18 years here. There are some ghosts, still, but mostly, when I come back, I’m overwhelmed by the natural beauty of this place I grew up, and the warmth and centeredness of the home I grew up, though now Peggy and Latif own it, they were part of the broader community that was involved in my upbringing all those years ago, and there’s huge continuity in things.

Arcata_008_2 The house where I grew up now has gardens all around it, and is very different from when I lived here, but it is strikingly beautiful – Peggy and Latif have done spectacular things with both the internal and external spaces.  All surrounded by gardens and greenery, the redwoods off to the northwest still, but both front yard and back now filled with paths and patches of plants.

Drove to David and Vivian’s “up the hill” and helped David move some firewood, and talked for a few hours.

Old books were found – I’ll take them with me back to Minneapolis to put into storage while I go off to Korea.

Caveat: Abstract Expressionism

When I was at the Guggenheim in NYC last week, I stupidly did not write down the name of an artist I liked, thinking, oh, I’ll remember that. So now, for the last week, I’ve been trying to figure out who it was. I know that it was in the category of abstract expressionism, grouped with in the museum’s “founding collection” in a gallery alongside Braque, Rudolf Bauer, and lots of Kandinskys.
So I went to the MIA [Minneapolis Institute of Arts], thinking I’ll look for the artist there, on the off chance they had one – but they didn’t.
Having learned my lesson, however, I did write down the names of some of the artists I saw there that I liked: I’m going to go to museums, I need to resurrect my old habit of journaling the visits extensively, so I can access the artists and works I liked later.
Here are some of the works I found striking at MIA:
Leonora Carrington’s “Never since we left Prague”
Yves Tanguy’s “Reply to Red” (daliesque)
Joan Miro’s “Head of Woman”
Dali’s “Portrait of Juan de Pareja”
Grant Wood’s “Birthplace of Herbert Hoover”
Luigi Lucioni’s “Village of Stowe Vermont”
Robert Koehler’s “Rainy Evening on Hennepin Avenue”
Morris Kantar’s “Untitled (portrait of mother)” (and I remember Tadeusz Kantor’s work that I saw at the national museum in Warsaw in 2005 – or was this in Krakow?)
I have a definite leaning toward modern and abstract art – I’m not sufficiently sophisticated in the field to explain what it is I find compelling about this type of work, but I do.
I have been putting some work into getting my personal website up and running again, and have finally re-posted some of my own drawings and paintings. I make no claim to be an artist – at the least, I lack the discipline to make it a go of it. But I harbor vague ambitions, I suppose, and I’m fairly certain that if I did pursue it in a disciplined manner I’d have “something to say” – so to speak.
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