Driving through the fields south and east of Hongnong, coming into work each morning by carpool or bus, feels like passing through a Van Gogh painting that's been animated, but in very slow motion. The colors are brilliant, and each morning things have subtly changed. Three weeks ago, the fields were almost all barley, and vibrantly green. Then over one weekend, the barley fields all turned to stunning yellow-gold and the sun turned summery. And then field by field, over the last two weeks, the barley has been cut, rendering each field in turn a more pale yellow-white, stubbly color, and then the fields are burned, which renders things brown-black. And then the fields are plowed, and the earthy is a muddy, dark color, and then the fields are flooded, turning them into silver mirrors of the skies. Baby rice plants are laid down by Rube-Goldberg-looking rice-planting contraptions, in neat rows of green shoots across the mirrory fields. The rice plants begin to grow, earnestly, and within days the fields are green-silver, and deeply textured. Finally, the paddies are drained, revealing the slick, red-brown Korean soil, with the rice plants standing in neat rows, preparing to absorb the summer heat and rains.
Each field follows its own rhythm, slightly different from its neighbors, so at any moment there's a whole palette of colors patchworked into squares and triangles across the rolling countryside: Green -> gold -> pale yellow -> black-brown -> silver -> silver-green -> red-brown with green. And so it goes.
Day: June 10, 2010
Caveat: Homesick.. for Ilsan?
Homesick? No, not really. But maybe. I'm experience a kind of odd missing of Ilsan. Of the city.
I knew moving out into the country would be difficult for me. My new apartment is a long walk from even a convenience store. There is a vegetable garden, however. And some chickens, up the road. And a giant "love motel" called "Glory" with a rainbow themed neon sign. And an industrial installation across the way, where they like to bang on things.