CAVEAT DVMPTRVCK

His circumstances led him to make that choice and that alone – but that does not mean that he had no choice.

I remember Beth Renolds, the girl who was killed by her family because of the TV. You probably saw about it once, on TV. It was years ago when the Renolds family lived next door to us and me and Beth were in the same grade at school – the old Park Elementary, the one with the weird Flash-Gordon spires and stuff that looked like King Kong had stepped on the Empire State Building and made it just two stories tall – but it was a nice school except for the heat was not too good in Winter and the solidified September sunlight shining into Mr. Logan’s third grade classroom where I would sit staring at Beth’s shoulder-short auburn hair moving as she laughed still makes me wake up sometimes right before my alarm goes off, all tingly inside, sort of shivering with regret or nostalgia.

Anyway, I was telling about the Renolds and the TV. One afternoon me and beth are lounging around languidly in their backyard, kind of both wishing we were a little older or braver so we could declare our undying pure burning yearning love for each other – or at least me for her, I didn’t really know how she felt, and afterwards, well, I never found out. That’s maybe because she was a year younger than me – an accelerated student – but likely I just figured something was wrong with me because I was so young but I loved her so much; it was a kind of sexless fiery passion like some gnostic Christian visionary escaping his body – me just looking at her – you know – God!

So we were sitting – not really playing – maybe talking, I don’t remember, I just kept looking at her hair and her lips because  they were very beautiful, and we heard Mr. Renolds call for Beth to come inside and see what he had bought. Mr. Renolds had got one of those new Korean sets – with computerized tuners and the hi-res screens. Beth’s older brothers were impressed, especially Bobby, who was about 14 I think – anyway, that very night the Renolds were watching the new TV and I was watching Beth because they had invited me and my brother Silas over, Silas who was Terry’s friend because he was always better at everything than me and could be friends with Terry.

[The “retroblogging” project:  this is a “back-post” transcribed from paper on 2013-02-18. I’ve decided to “fill-in” my blog all the way back.  It’s a big
project.  But there’s no time limit, right?  The above germ of a short story was written in a journal I was keeping while at the University of Minnesota in 1988. There are themes in this story that I found genuinely surprising, given when I wrote it – I guarantee I didn’t not add in or alter the references to Korean technology or the pop culture of crimes of passion, etc. – they were present in the original!]

On Forgetting Having Seen the Cornice of a House

The group of people I find myself with
That night as per the howling fugitives
Dana, Kray, yourself, others — perhaps dan,
In vaguely snow-strewn streets dwelling
The Darkness somewhow uninterested in the commitment
Which is inevitably involved in introspection
We did walk and laugh as per the
adjourned party of this dream, perhaps
hoping, or at least hopeful.

Inevitable, perhaps again, that Kray & Dan
should take the stage, a wall along
the sidewalk bearing the hasty, sublime
imprint of white which has
its origins in this Minnesota winter.

That stage I forget. But, when if moved
to a framed window at the brown
forgotten cornice of a house, A framed action
which jumped through the window tho’ the
picture was indeed still — The actress
my young mother, whom I’ve never known,
Tilted in misery, — Who appeared (after
Kray’s antics as the carefree dog on an
elevator — which that boxed cornice became
through some trick of photography which I once
knew in some philosophic context, but which
given the retrospect of those pews I now forget.
More on the pews later. Kray swallowed
the spittle in his throat and danced,
blinking wildly in the droplets which excaped
his mouth to dance the blowing gusts of
The open window on this cornice accelerating
so rapidly downward.) in that aquamarine
flourescence of the bottom of the ocean seen
in a black and white film which must
be seething with imagination or at least the
unwarranted indication of things
outside the realm of a black and white reality.

It was fine green workshop lighting,
as If Jacques Cousteau had wandered in
to film this depth, the nascent,
Yes, oedipally so, nascent sun filtering
downward with those discouraged probability functions
which Max Planck may or may not have understood,
but which the fish understand without
asking — perhaps that is their key. A fine gold
key it must be they possess, an ancient one
as they swim within the metaphor which
My motionless child-mother evokes as she bends
foetally upon herself, framed like the light,
within the cornice of that house
above the wall upon the street, wreathed with
the heavy winter taste of night.

The funeral, the man who entered talking loudly
as if he himself were the dead, the discussion
of his purpose on the gravel outside the whiteness
Of those pews, with mooning.

The arrival at your house, the… the decoration,
the food. Your athletics. Your “father.”
the ensuing days. The shoes,
The car trip. The black place, the nukes, & John.
The terminal, taxes. writing. sleep.

[The “retroblogging” project:  this is a “back-post” added 2014-06-19, but originally written at the date posted. I’ve decided to “fill-in” my blog all the way back.  It’s a big project.  But there’s no time limit, right?

The above is from an undated journal entry, but the journal itself is from the years 1983~1984 (based on the inclusion of math-class notes that I can confidently date from that period) so I have guessed that the above was written during the fall or winter of that year and estimated a date here based on the reference to snow, which means it has to have been after the first snowfall of late fall, 1983 since before then I had never lived where snow fell. It is a record of a dream, clearly, but also there are many indications (unusual line-breaks, capitalization and punctuation, and clearly intentional mis-spellings) that it was meant to be the germ of some kind of poem such as I preferred to attempt to write in those years.

UPDATE: I have added this poem to my daily poem series as Poem #1806, posted 2021-07-11]

Il pleut

O where are all the other raindrops?
I'm falling all alone.
The city races onward,
The sky is thick with clouds,
Can't you see it's raining here,
But something here is wrong.
Einstein and Planck are dead now,
The frogs and squirrels don't know,
The raindrops keep on falling,
The universe goes on.
My window's partly open,
I hear the sounds without,
The sound of falling raindrops,
But everything is gone.

O quand il pleut ou allons les rats?
I haven't seen a one.
The telephones are ringing,
The voices, they're not there,
The squeaking of small rodents,
A-dancing to their song.
Newtonian mechanics,
Relativity now,
The rats sleeping in their places,
Their tails, they are too long.
And everything is quiet,
The sky is changing blue,
And the rats have stopped their dancing,
But everything is gone.

O what's the meaning of these flowers?
They've cropped up everywhere.
In the sun, grass grows quickly,
A sidewalk stone gives in,
Flowers of different colors,
And colors make a song.
The light, it seems uplifting,
But: E=mc²,
Drowning by our planet's mass,
Some fleeting fast photon.
Once more the clouds come back here,
The sun is covered up,
Flowers weep small raindrop tears,
And everything is gone.

[The "retroblogging"
project:  this is a "back-post" transcribed from paper on 2013-02-18. 
I've decided to "fill-in" my blog all the way back.  It's a big
project.  But there's no time limit, right?  The above poem (quite atrocious, methinks) was written in a
journal I was keeping while at Harvard Summer School in 1982, between my junior and senior years in high school.]

Cage of lions and I we are two things

Secure within immutability
safe inside my sphere
I pound my head against
its walls
begging to be free.
Then a man with silver key
cracks my prison
sets me free.
I grab some glue,
I gasp for breath
I beg the man to take his
key, and go away.
Patching sphere
repairing cracks
I turn around and
pound my head against
its other walls.

I know the answer
I have asked the questions
but no one tells me how

Dog and bug are in a room.
A green plant.

[The “retroblogging” project:  this is a “back-post” transcribed from paper on 2010-11-28.  I’ve decided to “fill-in” my blog all the way back.  It’s a big project.  But there’s no time limit, right? The above entry was written during an angsty end to a bitter junior year in high school.
UPDATE: this poem was reblogged as daily poem #2074, 2022-04-06]

Frogs and horses, why are they?
Time is inescapable.
A burden.  We cannot ever
escape.  A child knows not time
but they make him learn.
They throw it on his back,
and he never notices
until one day,
then it is too late,
and they are happy.
[The “retroblogging” project:  this is a “back-post” transcribed from paper on 2010-11-28.  I’ve decided to “fill-in” my blog all the way back.  It’s a big project.  But there’s no time limit, right? The above entry was undated, but I’m guessing sometime around the end of 1981, based on which journal it was in and what was nearby – I didn’t always fill in my paper journals linearly. UPDATE 2: this poem was reblogged as daily poem #1367, 2020-04-28]