Caveat: World of Choral Conducting

Dateline: Amsterdam

My friend Bob is here in nederland, of course, for an audition to be part of a workshop with a famous choir director named Eric Ericsson (sp?), incl. Nederlans Kamerkoor (sp? I think).  So Friday night, I met up with him in Utrecht about 5 pm, at the Pieterkerk.  Only minutes before, I had passed a small shop selling t-shirts and comic books (and snottily named Piet Snot – not hard to figure out), and had seen a shirt that said "Wie is de Bob".  This seemed so ridiculously relevant that I bought a size XL immediately, and was in the process of putting it on when I saw Bob at the end of the street attempting to decipher a historical marker. I gave it to him as a gift.

After dinner at an "african" restaurant in a weird warehouse-bunker thingy under the streets of touristic Utrecht, Bob and I went to the kamerkoor concert at the Pieterkerk. The music was thematically tied by being Iberian in langauge (if not composer) with some old bits and new bits in the first half, and a rather interminable, repetitive new composition for the second half, based on a civil war poem by Miguel Hernandez.  First, a Golden Age sacred piece in Latin, then some more popular spiritual pieces in castilian – these latter by Guerrero and reminding me of some verse I'd just read in Persiles.  The piece I liked best was a short contemporary composition by Joost Kleppe set to some verse by… I think it was a Brazilian poet. The performers themselves were amazingly good, and the acoustics in the 11th c. church were incredible.

We met some of the other conductors who will be auditioning for this workshop, including a coterie of Florida State University alums. I was odd-man-out when it came to the "shop talk" of these choral conductors, but I made my way as I often do by providing some comic relief and occasional snippits of hopefully insightful historical commentary. After the concert, it turned out Joost Kleppe was actually in attendance, and as the conductors introduced themselves and then I presented myself as "not the conductor", this Joost even commented something to the effect that I was a "spare" – a la Monty Python. All good light fun.

In total there were 5 of us on the train back to Amsterdam on friday night – Bob and myself, then three others (and forgive me if I'd rather leave them anonymous than get their names wrong). The one guy's audition was Saturday morning, so when we all had lunch at the Beurs van Berlage cafe yesterday morning, he was already done – but Bob and the others audition today (Sunday). We met the last of the FSU coterie, Jose, too, yesterday morning. Oh… turns out their auditions are all in the Beurs van Berlage building – just a few doors away from the Beursplein and the cafe entrance, actually. So that's what Bob's doing right now (more or less).

We all went out to dinner at an Indonesian restaurant last night, all very clubby with so many choralists (is that what they're called?) I just stuck to my sidekick role. I've been around Bob enough, over the years, to be able to at least follow some of the shop talk, if not really "understand" it. I can fake it successfully – as I do with so many things.

 

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