Caveat: Poem #1030 “Syntactic verse”

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strident birds  green ideas  forceful sunlight
gloomy eagle
grave concerns  red movement  gentle wind
rough bark
angular branches  precipitous descent  able creatures
spinning insects
the day
arrives
but nothing
changes
except now
it all feels
different
deep soil  dull failure  dead spirits
ghostly contortions

– a quennet. This poetic form, called a quennet, is one of the many odd and wonderful things to emerge from Oulipo. It is a specification not based on meter or rhyme but rather parts of speech and word counts – you could argue that it is syntactic versification. I think more could be done with inventing such constraints.
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Caveat: Poem #1018 “Three signs of the apocalypse”

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Firstly, we gazed askance at the spaceship
Plunging wild through the grim-faced sky.
Flares were winking on a trailing wingtip
Where a faded emblem seemed to fly.

Secondly, speakers sung with the voices
Screaming out dangers and proffering choices,
Hinting at various important things.
Dark was the mood then, beshadowed by wings.

Thirdly, our leaders emptied the city.
Multitudes fled to the sun-tortured hills,
Some of them starving while others sold pills
Which the wounded endured. Such a pity.

Endless miseries kept ensuing -
Doubts, above all. What were we doing?

– a sonnet in an irregular tetrameter (maybe).

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